Ladies, whores, and holy women: a sourcebook in courtly, religious, and urban cultures of late medieval Germany
In: Medieval German texts in bilingual editions 5
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In: Medieval German texts in bilingual editions 5
In: Cuadernos de Estudios Gallegos. Monografías 8
In: Studies in central European histories volume 68
Letter from the burgermasters and City Council of Ravensburg to Archduke Sigismund of Austria, December 17, 1484 -- Guarantee of good behavior (Urfehde), Ravensburg, October 23, 1484 -- Instruction from Bishop Georg of Brixen to his ecclesiastical subordinates, July 23, 1485 -- Letter of Bishop Georg of Brixen to Institoris, September 21, 1485 -- Letter from Bishop Georg of Brixen to Archduke Sigismund, September 21, 1485 -- Letter from Archduke Sigismund of Austria to Bishop Georg of Brixen, October 8, 1485 -- Letter of Biship Georg of Brixen to Sigismund Sämer, parish priest in Axams, undated (mid-October, 1485) -- Vernacular protocol -- Latin protocols against the seven accused women -- Latin articles of suspected crimes and list of questions for further investigation of the seven suspects after their release -- Record of the proceedings against the seven accused women, October 29-31 and November 3, 1485 -- Letter from Bishop Georg of Brixen to Institoris, November 14, 1485 -- Letter from Bishop Georg of Brixen to an unnamed parish priest in Innsbruck, November 14, 1485 -- Letter of Bishop Georg of Brixen to Brother Nicolas, February 9, 1486 -- Letter of Bishop Georg of Brixen to Institoris, February 9, 1486 -- The Brixen memorandum.
[Resumo] Facer arquitectura é significar, é un acto político; ten unha dimensión social. O entendemento social da produción arquitectónica significa abordar o estudo dos grupos sociais en relación á disciplina. Nun contexto de desigualdade, identificar os sesgos culturais resulta clave á hora de promover valores contemplados nos dereitos humanos como a igualdade de xénero. Nesta procura, a chegada das TIC supoñen un punto de inflexión: a democratización das tecnoloxías da información e o nacemento de novos espazos globais de comunicación veñen representando unha oportunidade inédita para a difusión e o encontro de arquitectas, investigadoras e activistas na posta en cuestión do discurso oficial da arquitectura.[Abstract] To make architecture supposes giving meaning, it is a political action; it has a social dimension. The social understanding of architectonic production means tackling the study of social groups in relation to discipline. In an inequality context, identifying cultural bias becomes key just to promote human rights like gender equality. In this pursue, the emergence of ICT means an inflexion point: the democratization of information technologies and the appearance of new global communication spaces that represent an unprecedented opportunity for diffusion and meeting of women architects, investigators and activists joined questioning the official architectural discourse
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In: Medium aevum quotidianum
In: Sonderband 9
Neste artigo analizamos o impacto que ten a identidade cultural e a autonomía política na capacidade das rexións europeas para desenvolver o sector das industrias creativas e culturais. En primeiro lugar, facemos unha recompilación da literatura existente sobre os factores clave para explicar a aglomeración das ditas industrias. En segundo lugar, presentamos as nosas hipóteses sobre o efecto da identidade propia nas industrias culturais e creativas. A continuación, mostramos catro modelos econométricos que relacionan estes conceptos no caso das rexións europeas. Finalmente, expoñemos as principais conclusións do traballo, que poden resumirse na existencia dun impacto positivo da identidade propia no desenvolvemento das industrias creativas e culturais nas rexións europeas. ; In this paper we analyse the impact that cultural identity and political autonomy have on the ability of European regions to develop the sector of creative and cultural industries. Firstly, we have compiled a collection of existing literature on key factors to explain the agglomeration of these industries. Secondly, we introduce our hypotheses about the effect of regional identity on creative and cultural industries. Next, we consider four econometric models that relate these concepts in the case of European regions. Finally, we expose the main conclusions of the work that can be summed up as the existence of a positive impact of regional identity on the development of creative and cultural industries in the European regions. ; En este artículo analizamos el impacto que tiene la identidad cultural y la autonomía política en la capacidad de las regiones europeas para desarrollar el sector de las industrias creativas y culturales. En primer lugar, hacemos una recopilación de la literatura existente sobre los factores clave para explicar la aglomeración de dichas industrias. En segundo lugar, presentamos nuestras hipótesis sobre el efecto de la identidad propia en las industrias culturales y creativas. A continuación, mostramos cuatro modelos econométricos que relacionan estos conceptos en el caso de las regiones europeas. Finalmente, exponemos las principales conclusiones del trabajo, que pueden resumirse en la existencia de un impacto positivo de la identidad propia en el desarrollo de las industrias creativas y culturales en las regiones europeas.
BASE
In: Colección Lalia
In: Series maior No. 21
In: Biblioteca a nosa terra
In: Nós os Gallegos