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Abstract: From World War to Civil War: The Eastern Front 1914–1924 through Danish EyesRolf Hobson reviews From World War to Civil War: The Eastern Front 1914–1924 through Danish Eyes by Claus Bundgård Christensen, Martin Bo Nørregård, and Niels Bo Poulsen. The book provides a Danish perspective on the Eastern Front in World War I and on the wars that continued in the region also after the end of World War I.

Abstract in English: The Red Underworld. Secret Communist Activity in Scandinavia between the World WarsMette Skak reviews The Red Underworld. Secret Communist Activity in Scandinavia between the World Wars (original title Den røde underverden. Hemmelig kommunistisk virksomhed i Skandinavien mellem to verdenskrige).

This article deals with the authorship of Elísabet Kristín Jökulsdóttir, with special emphasis on the autofictional novel Heilræði lásasmiðsins (The locksmith's advice), as well as other works that are based on autobiographical material. Elísabet writes a lot about the female body, its desires and erotic longings, as well as how helpless and weak it can be in particular situations. Her writing on the self, body and sexuality centres on the opposition between love and rejection. The desire for love is the driving force behind her writing and a deep and ruthless self-examination is at work in her fictional world. This desire is closely connected to the female body and sexual drive and Elísabet scrutinizes the nature of 'femininity' and asks what it means to be ,a woman'. Elísabet describes the female body in all its nakedness and vulnerability and shows how the body is the battleground where the main conflicts between self and others take place. Elísabet frequently describes two oppositional worlds in her works. There are conflicts between the magical world and reality, the father and the mother, the child and the grown-up, psychological difficulties and 'sanity'. a divided self is a persistent theme in her writings, as well as the struggle to remain on the right side of the "borders", which are frequently mentioned. Elísabet's writings reveal a struggle for marking a place for oneself in the world, to be heard and seen, to be able to createand recreate the self and through her writing, she copes with existence and difficulties that are rooted in childhood. Through writing, she finds a way out and the writing process serves as self-analysis and therapy. In her works Elísabet also creates her own personal mythology, which she connects with women's struggle for self-realization, freedom and social space. The analysis of Elísabet's works is inspired by the writings of feminist scholars, such as Simone de Beauvoir, Kate millett and Hélène Cixous.

This article begins by examining strategic culture studies, in particular Alan Bloomfield's concept of different sub-cultures in strategic culture. It then focuses on the border between Russia and Finland and how Finnish EU membership was made possible by Finland's decision not to challenge the WWII border treaty with the Soviet Union after the Soviet collapse. Next, it investigates the debates and public opinion relating to Finland's 1994 EU referendum, to see how the dynamics changed three strategic cultural sub-groups: "self-defence", "Westernisers" (including Western international organizations) and "Reassurance and Dialogue with Russia". In conclusion, it is argued that EU membership altered the hierarchy of these strategic culture sub-groups in Finland, as well as their substance. These changes were, however, more evolutionary than revolutionary.

People migrating to Europe in search for a new life have become increasingly visible in various ways for the last few years. The article stresses some of the weaknesses in discussions on migration to Europe, where it is often assumed that migration from the outside world has only recently been affecting Europe. The article emphasizes how classifications of people into categories such as "refugee" and "immigrant" and the naturalization of these categories, can lead to dehumanization and stark simplifications. The article approaches this through stories of three men in Brussels, Belgium who have fled difficult circumstances in their home country Niger. It also explores these issues from some Icelandic discussions.

This essay concerns itself with perceptions of the urban sphere, with its manifestations in literature and life writing, and with the city as a place of strangeness and travel in various senses, including the ways in which it pertains to the individual
world view. Cities are places of density and internal connections, but their gates also open out and connect with other places, and increasingly other cities. Following a discussion of the Icelandic links between Copenhagen and Reykjavík, and the slow emergence of the latter as a "literary capital", the course is set for foreign cities, including Berlin and Paris in the company of Walter Benjamin, and the experience of getting lost with Franz Kafka in places that may be Prague and New York. In
attempting to answer the question whether it is possible to become intimate with cities, we have recourse to city guides, life maps, a touring theatre – and the art of losing and finding.

Moderne ortodokse kirker har blivit både inaktuell och ohyggligt aktuell i och med den ryska invasionen av Ukraina 24 februari 2022, då frågor om olika ortodoxa samhörigheter kommit i fokus. Volymen består nio kapitel och behandlar nästan samtliga stora ortodoxa kyrkor i världen och många centrala frågor som nationalism, jurisdiktion, teologi och gudstjänstutövning. Boken är pålitlig när det gäller fakta, författarna är eminent kunniga, men den kan ibland bli en smula svårläst i all sin faktarikedom.
The volume has become both outdated and eerily topical after the Russian invasion of Ukraine on 24 February 2022, as issues concerning various Eastern Orthodox affiliations have come into focus. This nine-chapter volume deals with almost all major Orthodox Churches in the world, and takes up such central questions such as nationalism, jurisdiction, theology and worship. The book is a reliable source of information, and the authors are eminently competent, but the sheer mass of facts presented can make it somewhat difficult to read.

Dahlia Lenairte's Family and the State in Soviet Lithuania: Gender, Law and Society (2021) offers an account of the changing role and position of women in the family and in society under the Communist reign in Lithuania. Beginning with the first Soviet occupation before the Second World War, Lenairte details the massive changes from Catholicism to Communism with respect to gender policy, family, divorce, childcare, maternity leave, and finally housing, up until the 1980s. Importantly, she shows that, contrary to common belief about Communist policy, gender equality was in fact never achieved in Soviet Lithuania.
Dahlia Lenairtes bog Familie og stat i Sovjet Litauen: Køn, lov og samfund (2021) er en gennemgang af kvinders ændrede roller og position i samfundet og familien under det kommunistisk styre i Litauen. Med et afsæt fra den første sovjetiske besættelse før 2. Verdenskrig viser Lenairte de enorme ændringer der skete fra katolicisme til kommunisme med hensyn til ligestilling, familie, skilsmisse, børnepasning og barselsorlov, og endelig boligsituationen op til begyndelsen af 1980'erne. I modsætning til den almindelige forståelse af kommunistisk ligestillingspolitik bliver det tydeligt, at kvinder aldrig opnåede at blive ligestillet med mænd.

Þórarinn B. Þorláksson (1867–1924) has been credited with being the first Icelandic professional painter. His reception, both during his lifetime and posthumously, is therefore an interesting indication of the changes in the outlook and ideology surrounding the reception of Scandinavian fin­de­siécle art up to the present. He was honourably mentioned by his contemporaries and then was forgotten in the upheavals surrounding the adoption of modern styles, such as abstract art, in Ice­land around the Second World War. He re­gained attention in the sixties and has since then been revered as an important, though problematic, pioneer of Icelandic painting. This has in recent years been especially evident in the way he has been mentioned in the context of the revival of Nordic and Scandinavian late 19th and early 20th century art in Northern­Europe and America. The paper reviews and analyses the historical reception Þorláksson has received and the way his work has been inscribed into the narrative of Icelandic and Scandinavian Art History. This process is an attempt to understand and contextualise Þorláksson's work in aesthetic terms, while at the same time function as a critical mirror of the trends and ideolo­gies surrounding the Nordic revival in recent years.

During the Forties, Icelandic novelist Guðmundur Daníelsson, wrote a trilogy called Out of the Ground Wast Thou Taken: Fire (1941), Sand (1942) and The Land beyond the Land (1944). Leading up to the publications Daníelsson was vocal about the fact that he had read the works of American novelist William Faulkner. Later in life he would reveal that he read Faulkner in Norwegian translations and proudly acknowledged the direct line of descent he recognized between his own work and that of his American colleague. Until now no systematic analyzes has been done on the many parallels between their works. The article is divided in two. The first half unfolds in which ways Daníelsson reproduced structures, milieu, ideas, characters and events from Faulkner's nov-el Light in August in Fire. The latter half of the article situates Daníelsson's trilogy within a critical framework developed by Faulkner scholars in the last two decades where they have explored the relationship between Faulkner and the many writers who have engaged with him from the postcolonial world. Questions will be raised about if and then how Daníelsson deals with Iceland's postcolonial past in his novels, with a special emphasis on the connection between power and identity as it mani-fests itself in relation to, for example, class, race, gender and disability.