Suchergebnisse

Front Matter -- Copyright Page /Amos Edelheit -- Dedication /Amos Edelheit -- Preface /Amos Edelheit -- Acknowledgements /Amos Edelheit -- Introduction /Amos Edelheit -- Sigla /Amos Edelheit -- Giovanni Caroli Liber dierum lucensium The Book of My Days in Lucca /Amos Edelheit -- Liber Primus /Amos Edelheit -- Liber Secundus /Amos Edelheit -- Liber Tertius /Amos Edelheit -- Commentary /Amos Edelheit -- Book One /Amos Edelheit -- Book Two /Amos Edelheit -- Book Three /Amos Edelheit -- Back Matter -- Bibliography /Amos Edelheit -- Index Nominum et Rerum /Amos Edelheit.

"Hurtling between Weltschmerz and wit, drollness and diatribe, entropy and enchantment, it's the juxtaposition at the heart of Dubravka Ugresic's writings that saw Ruth Franklin dub her "the fantasy cultural studies professor you never had." In Europe in Sepia, Ugresic, ever the flâneur, wanders from the Midwest to Zuccotti Park, the Irish Aran Islands to Jerusalem's Mea Shearim, from the tristesse of Dutch housing estates to the riots of south London, charting everything from the listlessness of Central Europe to the ennui of the Low Countries. One finger on the pulse of an exhausted Europe, another in the wounds of postindustrial America, Ugresic trawls the fallout of political failure and the detritus of popular culture, mining each for revelation. Infused with compassion and melancholic doubt, Europe in Sepia centers on the disappearance of the future, the anxiety that no new utopian visions have emerged from the ruins of communism; that ours is a time of irreducible nostalgia, our surrender to pastism complete. Punctuated by the levity of Ugresic's raucous instinct for the absurd, despair has seldom been so beguiling"

Engl. Zsfassung u.d.T.: Coca-Cola socialism : the americanization of Yugoslav popular culture in the 1960s