Constitutional documents of the United States of America, 7, Vermont - Wisconsin; Addendum et corrigendum
In: Constitutions of the world from the late 18th century to the middle of the 19th century
In: America Vol. 1
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In: Constitutions of the world from the late 18th century to the middle of the 19th century
In: America Vol. 1
In: Constitutions of the world from the late 18th century to the middle of the 19th century: Quellen zur Herausbildung des modernen Konstitutionalismus
In: America Vol. 1
In: Constitutional documents of the United States of America 1776 - 1860 Pt. 7
In: Treaties and other International Acts Series, 9649
World Affairs Online
In: Treaties and other international acts series 1782
In: United States. Dept. of State. Publication 3286
In: Internasjonal politikk, Band 76, Heft 3, S. 121
ISSN: 1891-1757
In: Medzinárodné otázky: časopis pre medzinárodné vzt'ahy, medzinárodné právo, diplomaciu, hospodárstvo a kultúru = International issues = Questions internationales, Band 8, Heft 3, S. 133-138
ISSN: 1210-1583
World Affairs Online
In: Skrifter fra Odense Bys Museer 8
In: Studier i Indre missions og de religiøst-folkelige bevægelsers historie 1
In: Filozofski vestnik: FV, Band 29, Heft 1, S. 131-144
ISSN: 0353-4510
The author treats the topic of AIDS as a focal point for artistic politics in the United States and, eventually, in a larger international context as well. He considers a range of representations of AIDS in contemporary art since the 1980s & considers how AIDS became a pivotal point around which thinking about artists' activism & art as social intervention turned. He discusses AIDS as a paradigmatic case for a new global, biopolitical, & mediatized cultural phenomenon that bore with it a new ensemble of political, moral, & economic effects, in turn profoundly affecting conceptions of aesthetics & activist art. In the latter part of the essay, he develops a typology of strategies utilized by artists in addressing the problem of AIDS: 1) transcoding strategies; 2) media critiques and/or critiques of culture industry representations of AIDS; 3) alternative publicity; 4) AIDS exemplars; & 5) strategies of mourning & memoralization. Adapted from the source document.