Politicka znanost u Hrvatskoj iz perspektive povijesti discipline: Povodom objavljivanja prvih studija discipline
In: Politička misao, Band 40, Heft 1, S. 122-135
2281 Ergebnisse
Sortierung:
In: Politička misao, Band 40, Heft 1, S. 122-135
World Affairs Online
In: Tidsskrift for teologi og kirke, Band 75, Heft 2-3, S. 147-162
ISSN: 1504-2952
In: Politička misao, Band 34, Heft 3, S. 124-148
Comparative politics is a political science discipline which has in its evolution continuously reflected the developments in the field of international politics. The author outlines the genesis of this discipline, which boomed in the 1950s with the framework of American politology. He first defines this discipline and the goes on to give an account of the evolution of the fundamental research principle, the expansion of the subject matter and the importance of the key concepts that delineate this academic discipline (political power, political system, politic regime). The author analyses the role of comparative politics in the context of other disciplines of political sciences as well as its applicative potentials. As analysis of the history of this discipline he points to the connection between shift of the interest and the focus in practical politics and the thematically specialized subdisciplines within comparative politological research. In the conclusion, the author points out the importance and the applicatory value of discipline for Croatia (as a country in the process of democratic transition) regarding the comparative analysis of the experiences of developed democracies and countries in transition. (SOI : PM: S. 148)
World Affairs Online
In: Politička misao, Band 45, Heft 3-4, S. 201-220
World Affairs Online
In: Tidsskrift for psykisk helsearbeid, Band 16, Heft 3, S. 166-172
ISSN: 1504-3010
In: Politička misao, Band 51, Heft 1, S. 56-82
World Affairs Online
In: Međunarodni problemi: Meždunarodnye problemy, Band 69, Heft 2/3, S. 181-205
ISSN: 0025-8555
World Affairs Online
In: Internasjonal politikk, Band 65, Heft 3, S. 9-44
ISSN: 0020-577X
In: Internasjonal politikk, Band 65, Heft 2, S. 141-172
ISSN: 0020-577X
"Shame is a deeply problematic emotion that causes much trouble and pain in our lives, interrupting our immediate mode of being in the world and making us feel bad about who we are. Nevertheless, we use it in many contexts to discipline others, impede personal development, regulate participation in communities, and instil in others commonly accepted norms and values. All these uses of shame suggest to some that it is a phenomenon with positive attributes, despite its darker sides.
Many who study shame do so from the vantage point of a single scholarly discipline. This book is an exception. Its authors approach shame from multiple perspectives, seeking a more nuanced picture of its various roles in human life and its impact on social interaction.
This book explores shame from an interdisciplinary perspective that looks into psychology, philosophy, evolutionary theory, theology and religious studies, and moral theory. The theoretical insights are then applied to understand shame's workings in relation to embodiment, religion, and morality. Hence, Shame's Unwelcome Interruption and Responsive Movements. Body, Religion, Morality – an Interdisciplinary Study will be of value to anyone who is interested in approaching shame from a comprehensive, scholarly perspective."
ISSN: 1821-066X
ISSN: 1501-9993
In: Stockholm Studies in Culture and Aesthetics
Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state's inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field – to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.