Suchergebnisse

Rad prikazuje okolnosti u kojima se prikupljala stručna literatu­ra na Odjelu "Muzej ninskih starina" u Ninu. Proces prikupljanja kronološki je podijeljen u dvije faze. Prva faza obrađuje period od 60-ih godina 20. stoljeća do 1996., a zbog manjkavih arhivskih podataka velikim dijelom počiva na pretpostavkama. Drugu fazu, tj. period od 1997. do 2019., karakterizira evidentiranje knjižnične građe (stručne literature) po određenim pravilima i način njezina pristizanja u Nin. Nadalje, u radu je istaknut doprinos stručnog muzejskog osoblja, posebno kustosa, u prikupljanju stručne lite­rature potrebne za stručni te znanstveno-istraživački rad i njezino pohranjivanje. Prikazan je i postupak selekcije zatečene knjižnič­ne građe (monografije, periodika, separati i deplijani) u Ninu kao preduvjet tehničkoj i stručnoj obradi, u želji da postane i javno dostupna 2019. Sadržajna analiza provedena je na cjelokupnom knjižničnom fondu. S obzirom na potrebe stručnog osoblja Mu­zeja za stručnom literaturom, prikazana je zastupljenost arheolo­gije i drugih srodnih područja (povijest, povijest umjetnosti i sl.). Sadržajna struktura novoformirane knjižnične zbirke na Odjelu "Muzej ninskih starina" svojevrstan je dokaz o dobro provođenoj nabavnoj politici u nekoliko prethodnih desetljeća, za koju su za­služni kustosi, tj. djelatnici Odjela "Muzej ninskih starina" u Ninu. ; The paper presents circumstances in which professional litera­ture at the Department of the Musum of Nin Antiquities in Nin was collected. The process of collecting was chronologically divided into two phases. The first phase deals with the period from the 1960s to 1996. It is largely based on assumptions due to deficient archival informations. The second phase (from 1997 to 2019) is characterized by recording library materials (profes­sional literature) in accordance with certain rules and manner of its acquisition for the Nin museum. Further on the contribution of the museum staff, in particular the curators, was emphasized in the paper, in collecting and storing the professional literature necessary for professional and scientific-research work. The pro­cedure of selecting existing library materials (monographs, pe­riodicals, offprints, leaflets) was also presented as a prerequisite for technical and professional processing, with an aim of making it publicly available in 2019. Content analysis was performed on the entire library holdings. Considering the needs of the profes­sional staff of the museum for professional literature, number of works dealing with archaeology and other related fields (history, art history etc.) was determined. Content structure of the newly formed library collection at the Department of the Museum of Nin Antiquities is a kind of evidence of well conducted procure­ment policy in previous decades for which all credit goes to the curators, in other words staff of the Department of the Museum of Nin Antiquities in Nin.

Stalni postav antike Arheološkog muzeja Zadar izlaže građu rim­ske antike po principu tematskih cjelina, kao što su rimska vojska, arhitektura i urbanizam, umjetnost, religija i pokapanje. Veliki dio izložene građe čini kamena plastika, točnije 96 vrijednih pri­mjeraka kojima je bila potrebna konzervatorsko-restauratorska obrada. U periodu od dvije godine na 50-ak kamenih spomenika izvršena je preventivna zaštita, dok je na 25 spomenika izvršen kompletan postupak zaštite. U ovom radu opisuje se konzerva­torski postupak i petrografske analize provedene na mramornim skulpturama i portretima iz zbirke Danieli. Na temelju uzoraka kamene prašine, uzetih s eksponata, determinirana je vrsta i na­stanak stijene. Petrografskom analizom određena je točnija pro­venijencija kamena i lokacija mogućih kamenoloma. ; The permanent exhibition of Roman antiquities in Archaeological Museum Zadar is organized by themes, such as Roman military, architecture and urban planning, art, religion and burials. Stone sculptures account for large part of the exhibits – specifically, 96 valuable specimens that required conservation and restoration work. Over a period of two years, some 50 stone monuments un­derwent preventive protection measures and 25 of them under­went a full protection procedure. This paper describes the con­servation treatment and petrographic analyses conducted on the marble sculptures and portraits from the Danieli Collection. Based on the stone dust samples collected from the exhibits, the type of the stone and its formation were determined. The petro­graphic analysis was used to establish a more accurate origin of the stone and the locations of the quarries it possibly came from.