Suchergebnisse

The Program of Culture for the Worker (Programa de Cultura do Trabalhador), launched in 2012 by the Federal Government of Brazil, is a public policy established to encourage cultural consumption by offering a voucher to access cultural events called – Vale-Cultura. From the bill to its publication (Law 12761 of 27 December 2012), it was handled between Goverment and Congress for four years, incorporating signification from both. This article aims to historicize the Vale-Cultura's narrative during the period the program's legal framework was being formulated. For this, an archive of 47 documents was analyzed using NVivo qualitative research software. The archaeological method of discursive analysis attributed to Michel Foucault was performed. Two discursive formations emerged from this analysis: "Culture's Commerce" and "Social Inclusion". Conclusions were presented and what was at first understood as contradictory, was later perceived as complementary. Finally, suggestions are proposed, considering the current performance of the program. ; El Programa de Cultura del Trabajador, lanzado en 2012 por el Gobierno Federal de Brasil, es una política pública para fomentar el consumo cultural, a través de la oferta de un beneficio comúnmente llamado Vale-Cultura. Desde el proyecto de ley hasta su publicación (Ley n.° 12761 del 27/12/2012), el programa tramitado por el poder ejecutivo y legislativo durante cuatro años, fue incorporando significados de acuerdo con los posicionamientos del Gobierno y del Congreso. En este artículo se pretende ubicar históricamente el discurso del ValeCultura durante el período de constitución de su marco legal. Para ello, se compuso un archivo con 47 documentos, que posteriormente se analizaron mediante el software de investigación cualitativa NVivo. Para este propósito, se utilizó el método arqueológico de análisis del discurso atribuido a Michel Foucault. De este análisis, surgieron dos formaciones discursivas: "Comercialización de la Cultura" e "Inclusión Social". Al presentar las conclusiones, lo que a primera vista podría parecer contradictorio, más tarde se percibe como complementario. Por último, también se sugieren reflexiones teniendo en cuenta el desempeño actual del programa. ; O Programa de Cultura do Trabalhador, lançado em 2012 pelo Governo Federal do Brasil, é uma política pública destinada ao incentivo do consumo cultural por meio da oferta de um benefício comumente chamado de Vale-Cultura. Do projeto de lei até a sua publicação (Lei No . 12.761 de 27/12/2012), o programa tramitou entre o executivo e o legislativo por 4 anos, incorporando significados de acordo com os posicionamentos do Governo e do Congresso. O presente artigo visa historicizar o discurso do Vale-Cultura durante o período de constituição do seu marco legal. Para isso, foi composto um arquivo com 47 documentos, posteriormente submetidos à análise pelo software de pesquisa qualitativa NVivo. Para tal, utilizou-se o método arqueológico de análise discursiva atribuído a Michel Foucault. Duas formações discursivas emergiram dessa análise: "Comercialização da Cultura" e "Inclusão Social". Conclusões foram apresentadas e o que poderia parecer à primeira vista contraditório mais tarde foi percebido como complementar. Finalmente, reflexões também foram sugeridas, considerando o desempenho atual do programa.

The article evaluates the actual distance from Foucault's archaeological thought in relation to French historical epistemology. The objective is to show that the ideas of discontinuity and recurrence of Canguilhem epistemology have had decisive effects on the archeology of Foucault. Even if the archeologist of knowledge evokes a new way of practicing the history of science, the epistemological mark of Canguilhem always seems to be present.

The present work aims to discuss the idea that the enunciation may be a probable category of analysis, in an attempt to think the discourse(s), like its generation, in the theoretical framework proposed by Michel Foucault (1926-1984). The French Philosopher, developed the statement as category of analysis, in works like The Order of Things (1966) and The Archeology of Knowledge (1969), in a frame capable of allowing a certain autonomy to the formulation of a concept. In this way, the enunciation in the attempt to generate this same to a theory to be put up, would allow the gravitation in the mentioned discourses produced by the individual. The enunciation, in the Foucault's thought, does not refer in stricto sensu to a grammatical or strictly linguistic framework, but allows the confluence in the formation of theoretical notions, or even in the frame of the discourse(s), making possible the consonance of ideas that base the discourses that prevail in the human sciences and wich outline de status quo. Being Foucault's proposition of enunciation is a category not necessarily scientific, that is, without the magnitude of a composition of truth, as well as of a "true saying". The enunciation, in the author's proposal, contrasts with the discourse that deals with the nomenclature of truth and the mechanisms that institute the constant production of it, and wich they grant the epistemological conceptions (wich constitute epistemologies in force) in social, political, historical e and cultural spaces.