Suchergebnisse

Public archeology advanced in the development of projects that combine academic knowledge with the needs, demands, and knowledge of different indigenous and local, urban and rural communities. This occurred in the process of re-emergence, reorganization, communalization, and claims of indigenous lands within the framework of national and provincial legislation and the archaeological heritage. In this social context, educational materials were produced from social intervention programs and projects, essentially extensionist and self-managed. These have tended to link society, universities and research agencies from an intercultural and interdisciplinary perspective. They have had and are having great difficulty inserting themselves into networks of circulation and exchange.From this analysis arises the project "Educational materials on Argentine archeology" developed since 2018 by teams from the Universidad Nacional de Córdoba and the Universidad Nacional del Sur for the realization of a free public platform for devices in the Suquía Repository (PAD, UNC). The objective of this work is to socialize the project and analyze the materials. In this way, we seek to rethink situated university practices and generate a theoretical framework and collaborative production. ; La arqueología pública avanzó en el desarrollo de proyectos que conjugan los saberes académicos con las necesidades, los reclamos y los saberes de distintas comunidades indígenas y locales, urbanas y rurales. Esto se dio en el proceso de reemergencia, reorganización, comunalización y reclamos de tierras de indígenas en el marco de las legislaciones nacionales y provinciales y de patrimonio arqueológico. En este contexto social se produjeron materiales educativos desde programas y proyectos de intervención social, con carácter extensionista fundamentalmente y autogestivos. Estos han tendido a vincular a la sociedad, a las universidades y agencias de investigación desde una perspectiva intercultural e interdisciplinar. Los mismos han tenido y tienen ...

AbstractIn questo studio si presentano alcune riflessioni mirate a riconoscere nelle più recenti linee di pensiero dell'archeologia teorica - pubblica, simmetrica, sincretista - e dell'Heritage Education la necessità di un sempre più accentuato approccio dialogico con altri domini disciplinari e con il territorio, per contribuire a promuovere il patrimonio culturale, nella fattispecie quello archeologico, quale veicolo fortemente attrattivo ed evocativo di valori culturali contestuali e sostanziale propulsore di sviluppo, nella consapevolezza che l'autenticità di un territorio sia intrinseca e dipenda in primis da una comunità consapevole, informata e cosciente delle ricchezze culturali del luogo, sentite come segni di identità. Il questo senso il patrimonio archeologico capillarmente diffuso in area appenninica, anche umbro-marchigiana, può oggi più che mai avere la reale possibilità di elevarsi a "trasmettitore di cultura", dare effettiva prova delle sue potenzialità educative, identitarie e di sviluppo sostenibile per le aree interne, superando lo iato ancora esistente tra visione esperta e non esperta, promuovendo la ricerca a ruolo di mediatore tra politica e comunità.This study reflects upon both recent trends in archaeological theory – public, symmetrical, syncretistic – and in heritage education, including the need for an increasingly accentuated, dialogic approach with other disciplines. It emphasises the need for dialogue with regional and local authorities and communities, facilitating the promotion of archaeological cultural heritage as a highly attractive and evocative vehicle for contextual cultural values, and as a driving force for development. It argues that the 'authenticity' of a territory is intrinsic, dependent primarily upon a conscious, informed community that is aware of its cultural heritage and the role that it plays in the construction of (potentially multiple) identities. The rich archaeological heritage of the Apennine region, including Umbria-Marche, might therefore be seen as a ...

Accompanying microfiches issued in pocket inside back cover. ; Includes bibliographical references. ; Mode of access: Internet.

El patrimonio paleontológico, arqueológico, etnológico, histórico y mitológico en el territorio del actual estado Falcón se remonta profundamente en el pasado. El estado Falcón es uno de los contados lugares en la Tierra que puede ofrecer testimonios materiales de presencia humana que se remontan a 20.000 años a.C. Paradójicamente, esta abundancia es desconocida por la mayoría de los ciudadanos y por las instituciones políticas de la región, lo que deriva en un indeseable desorden y anomia. Fuera de un reducido número de especialistas, las obras esenciales sobre ese legado son desconocidas. ; The cultural heritage of Falcon State includes evidence of human habitation dating from 20,000 B.C. Paradoxically, the wealth of this inheritance is known neither by the general populace nor their political institutions, and so remains as though adrift, unclaimed and unordered. With the exception of a few experts the essential work done in this field remains unrecognized. ; 104-126 ; camilomoron@gmail.com ; Semestral

In this work, we present an updating of the rural settlement in the municipality of Antequera during the Roman era. The labours of the preventive archaeology and the prospectings accomplished in the framework of the revision of the different urban plannings over the last few years have significantly increased the knowledge that we had about the Romanisation in the depression of Antequera. We only analyse those archaelogical sites that we regard as novelties and which are unknown due to the immediacy of the works that have been developed over the last months and years. We start from the publication date of the last Archaeological Activities Annual Directory of the Regional Government of Andalusia, which corresponds to the 2006 annuality at the time of writing. ; Con este trabajo presentamos una actualización del poblamiento rural en época romana en el término municipal de Antequera. Trabajos de arqueología preventiva y las prospecciones realizadas en el marco de la revisión de los diferentes planeamientos urbanos durante los últimos años han incrementado de manera notable el conocimiento que teníamos de la romanización en la depresión de Antequera. Analizamos sólo los yacimientos que entendemos como novedades y que se encuentran inéditos por la inmediatez de los trabajos que se han desarrollado en los últimos meses y años. Partimos de la fecha de publicación del último Anuario de Actividades Arqueológicas de la Junta de Andalucía que, en el momento que elaboramos este artículo, se corresponde con la anualidad de 2006

Through the analysis of poems with North-American and Meso-American themes, this article states that Cardenal's Americanism, as is expressed in The Golden Ufos (1992), intends a counter-history that collects the memory of the defeated. Concerning the North-American Indigenous culture, Cardenal emphasizes the pacifism of Indian and the importance of a cultural hero. In addition, he reveals a desire of geographical fusion of Nicaragua and the US, and of actualization of elements of indigenous material culture. Regarding the Meso-American culture, Cardenal works with the idea of cultural decadence due to the victory of militarism among Mayas. Furthermore, he ties this militarism to historical actual dictatorships in Central America. The article remarks, also, the importance of the US-American culture in Cardenal's indigenism. ; Este artículo plantea que el americanismo en Los ovnis de oro (1992) de Ernesto Cardenal funciona con un carácter de contrahistoria que intenta recoger la memoria de los vencidos. El análisis se detiene en poemas que tratan las culturas indígenas norteamericanas y mesoamericanas. En el caso de la cultura indígena norteamericana, Cardenal enfatiza el pacifismo de los indígenas, lo decisivo de la función del héroe cultural, la aspiración de fundir geográficamente a Nicaragua y los Estados Unidos, y de actualizar elementos de la cultura material indígena. En el caso de la cultura mesoamericana, Cardenal trabaja con la idea de decadencia cultural, atribuyendo al militarismo este declive, el que se proyecta en el presente histórico de dictaduras militares en Centroamérica. El artículo destaca la importancia de la cultura norteamericana como uno de los ejes decisivos en el desarrollo del indigenismo de Cardenal.

Este texto explota la historia ontológicamente intrincada de mi vinculación con un sitio arqueológico minero, el mismo sitio donde estalló uno de los primeros levantamientos anticoloniales durante el carnaval de 1775. Comenzando con la vinculación usual de un arqueólogo con la investigación antecedente, e identificando y expandiendo la inclusión de diversas agencias en la historia, se diversifica rápidamente para incluir no sólo mi consideración intelectual del fenómeno de la agencia, sino también mi ser agente político y criatura viviente. Ello significa que el mismo lugar desde el que se realiza arqueología se muda cuando sus propios cimientos se ponen en conversación, y la arqueología se transforma de empresa de busca de conocimiento en un escenario interculturalmente relacionado. Pero aún aceptando el impacto en mí mismo de ser habitante en los escenarios en los cuales soy conocedor, este último rol no queda excluido sino transformado. En este sentido, este texto explora la semiopraxis interrelacionada en el curso de la historia –en su doble sentido de lo sucedido y lo que se dice acerca de lo sucedido- que aquí narro. Ello sólo a veces incluye la escritura, y sólo a veces mi autoría, ya que devienen actores centrales en la conversación la actuación y la oralidad así como las subjetividades colectivas y heterogéneas. Tal como ocurre en tiempo de carnaval, lo que se dice, con o sin palabras, se dice en conversaciones a través de ontologías, en donde los lugares y los personajes pueden verse sorprendentemente invertidos. En este texto está implicado el lugar de la teoría dentro de una conversación más amplia, acerca de su propia mudanza y desde un lugar en mudanza. ; This piece mines the ontologically intricate history of my involvement with an archaeological mining site, where one of the earliest anti-colonial uprisings started during the Carnival of 1775. Starting with the usual involvement of an archaeologist with previous research, and identifying and expanding the inclusion of diverse agencies in history, it rapidly diversifies to include not just my intellectual consideration of agency, but also both my being as political agent and as living creature. This means that the very place from where archaeology is conducted is moved when its very foundations are put in conversation, as it is transformed from an enterprise of knowledge search to an interculturally related scenario. But even accepting the impact on me of being dweller in the scenarios where I am knower, the latter role is not ruled out but transformed. In this sense, this paper explores the interrelated semio-praxis in the course of the history here told. These only sometimes include writing down, and only sometimes my authorship, as performance and orality, and collective and heterogeneous subjectivities, as in carnival times, become actors in the conversation. As occurs in carnival times what is said, with words or without them, is said in conversations across ontologies, where places and characters can be surprisingly inverted. Implied in this piece of writing is the place of theory within a broader conversation, about and from a place on the move.

Previously published by the U.S. Office of Archeology and Historic Preservation, Technical Preservation Services Division, as Preservation briefs, nos. 1-41 ; "Important tips for: painting, windows, plaster, weatherproofing, stonework, masonry, shingles, woodwork and much more"--Cover ; Includes bibliographical references (p. 531) ; Assessing cleaning and water-repellent treatments for historic masonry buildings -- Repointing mortar joints in historic masonry buildings -- Conserving energy in historic buildings -- Roofing for historic buildings -- Preservation of historic adobe buildings -- Dangers of abrasive cleaning to historic buildings -- The preservation of historic glazed architectural terra-cotta -- Aluminum and vinyl siding on historic buildings and the appropriateness of substitute materials for resurfacing historic wood frame buildings -- The repair of historic wooden windows -- Exterior paint problems on historic woodwork -- Rehabilitating historic storefronts -- The preservation of historic pigmented structural glass -- The repair and thermal upgrading of historic steel windows -- New exterior additions to historic buildings: preservation concerns -- Preservation of historic concrete: problems and general approaches -- The use of substitute materials on historic building exteriors -- Architectural character: identifying the visual aspects of historic buildings as an aid to preserving their character -- Rehabilitating interiors in historic buildings identifying and preserving character-defining elements -- The repair and replacement of historic wooden shingle roofs -- The preservation of historic barns -- Restoring historic flat plaster--walls and ceilings -- The preservation and repair of historic stucco -- Preserving historic ornamental plaster -- Heating, ventilating, and cooling historic buildings: problems and recommended approaches -- The preservation of historic signs -- The preservation and repair of historic log buildings -- The maintenance and repair of architectural cast iron -- Painting historic interiors -- The repair, replacement, and maintenance of historic slate roofs -- The preservation and repair of historic clay tile roofs -- Mothballing historic buildings -- Making historic properties accessible -- The preservation and repair of historic stained and leaded glass -- Applied decoration for historic interiors--preserving composition ornament -- Understanding old buildings: the process of architectural investigation -- Protecting cultural landscapes: planning, treatment, and management of historic landscapes -- Appropriate methods for reducing lead-paint hazards in historic housing -- Removing graffiti from historic masonry -- Holding the line: controlling unwanted moisture in historic buildings -- Preserving historic ceramic tile floors -- The seismic retrofit of historic buildings: keeping preservation in the forefront ; Mode of access: Internet.

El presente artículo pretende hacer un acercamiento a las más importantes exposiciones que tuvieron lugar en Madrid, en 1892, año en el que se conmemoraba el cuarto centenario del descubrimiento de América. De todas ellas, abordaremos las tres que son consideradas más importantes, tanto por su tipología como por su capacidad de convocatoria. Estas son: las Exposiciones Históricas (Histórico-Americana e Histórico- Europea), a cargo de la Junta del Centenario, dependiente del gobierno central; la Exposición Internacional de Bellas Artes, que también hace parte del programa oficial, bajo la responsabilidad del Ministerio de Fomento; y, por último la Exposición Escolar que, junto al Certamen de Labores de la mujer, surge de la iniciativa de la Junta Municipal de Primera Enseñanza, contando con el apoyo del Ayuntamiento. ; This article aims to make an approach to the most important exhibitions that took place in Madrid, in 1892, year in which was commemorating the fourth centenary of the discovery of America. All of them, we will address the three that are considered most important, both by type and by its ability to call. These are: the Historical Exhibitions (Histórico-Americana e Histórico-Europea), in charge of the Board of the centenary, dependent on the central Government; the International Exhibition of Fine Arts, which also is part of the official program me, under the responsibility of the Ministry of public works; and lastly the Exhibition School which, along with the Contest of the work of women, arises from the initiative of the Municipal Board of primary school, with the support of the City Council.

Diego Felipe de Albornoz used the concept of good equity to reject political homogeneity in the Spanish Monarchy. Diego Felipe de Albornoz linked this concept to the metaphorof the good shepherd and the pretensions of political homogeneity. However, we believe that different legal, political and anthropological concepts also took part in its configuration. The good equity of Diego Felipe de Albornoz allows us to understand the complexity of political uniformity during the Hispanic Baroque. ; Diego Felipe de Albornoz usó el concepto de la buena equidad para rechazar la uniformidad política en la Monarquía de España. Diego Felipe de Albornoz vinculó este concepto a la metáfora del buen pastor y las pretensiones de homogeneidad política. No obstante, creemos que en su configuración también participaron diversos conceptos jurídicos, políticos y antropológicos. La buena equidad de Diego Felipe de Albornoz nos permite comprender la complejidad de la uniformidad política durante el Barroco hispano.

The article presents the theories of state and power derived from the books of Hans Kelsen, Max Weber, Karl Marx, Norbert Elias, Michael Foucault and Catherine Mackinnon. To do so, a bridge is built between literature, historiography and political theory. It's about a critical reconstruction that proposes an alternative vision of the conventional narrative of the theory and the history of state in the occidental world from a rigorous examination of it, but at the same time, of a questioning as rigorous of its epistemological fundaments: many of which are related to classist politics, ethnocentric and sexist. ; El artículo presenta las teorías del Estado y del poder derivadas de las obras de Hans Kelsen, Max Weber, Karl Marx, Norbert Elias, Michel Foucault y Catherine Mackinnon. Para hacerlo se tiende un puente entre literatura, historiografía y teoría política. Se trata de una reconstrucción crítica que propone una visión alter- nativa a la narración convencional de la teoría y la historia del Estado en el mundo occidental a partir de un examen riguroso de ésta, pero al tiempo, de un cuestionamiento igualmente estricto de sus fundamentos epistemológicos: muchos de ellos emparentados con políticas clasistas, etnocéntricas y sexistas.

Desde el inicio de la Guerra Civil Española en la provincia de Granada, las tropas sublevadas acometieron el establecimiento de un perímetro defensivo en torno a la capital, preferentemente sobre las principales carreteras. El Subsector de la Alfaguara estaba relacionado con el cierre del perímetro entre las carreteras de Jaén y Murcia, controlando los accesos secundarios. Como frente estabilizado, prolongó la construcción y mejora de las posiciones defensivas durante los tres años de guerra, lo que dio lugar a la aparición de un amplio catálogo de obras de fortificación y de la evolución del sistema constructivo. Este trabajo aborda el estudio de estas fortificaciones desde la metodología arqueológica. ; From the beginning of Spanish Civil War in the province of Granada, the rebel troops undertake a stablishment of a defensive perimeter around the capital, especially over principal roads. Alfaguara's Subsector was related with the closing of perimeter between Jaén and Murcia's roads, taking control over secondary accesses. As stabilized front, it prolonged the construction and improvement of defensive positions during the three years of war. This provoked the appearance of a wide catalogue of fortification works and the evolution of a structural system. This research deals with the study of these fortifications from an archaeological methodology.

International audience ; Where does the notion of " national security " come from? The genesis of this extraordinarily ambiguous concept is largely unknown, besides what a few historical works have long established, i.e., that national security is an offspring of the early Cold War inspired by the experience of the Second World War, dictated by the confrontation with the Soviet Union, and accompanying the integration of what was to be called the " National Security State. " While not denying the importance of this turning point, this paper offers a new perspective by focusing on what was discreetly happening a quarter of a century earlier within two modest military intelligence services, the Military Intelligence Division (MID), and the Office of Naval Intelligence (ONI). Based on lessons drawn from the experience of modern warfare, a theoretical and practical break took place in relation to the four distinctions that had been traditionally central to military thinking, namely war and peace, military and civilian, front and rear, and friend and foe. Our hypothesis is that this silent but concrete and definite break paved the way for the formation of governmental rationality that came to be referred to as " national security. "

International audience ; Where does the notion of " national security " come from? The genesis of this extraordinarily ambiguous concept is largely unknown, besides what a few historical works have long established, i.e., that national security is an offspring of the early Cold War inspired by the experience of the Second World War, dictated by the confrontation with the Soviet Union, and accompanying the integration of what was to be called the " National Security State. " While not denying the importance of this turning point, this paper offers a new perspective by focusing on what was discreetly happening a quarter of a century earlier within two modest military intelligence services, the Military Intelligence Division (MID), and the Office of Naval Intelligence (ONI). Based on lessons drawn from the experience of modern warfare, a theoretical and practical break took place in relation to the four distinctions that had been traditionally central to military thinking, namely war and peace, military and civilian, front and rear, and friend and foe. Our hypothesis is that this silent but concrete and definite break paved the way for the formation of governmental rationality that came to be referred to as " national security. "

Over the past few years we realized that Public Archeology has transcended the academic and scientific space to expand its range of action to other socio-economic and political spheres that intersect archaeological practice. In this dynamic, professional action is often questioned, sometimes motivating reflections and self-criticism that contribute to rethinking the role of archeology in the construction of discourses about the Communities'heritage.In this work, we share questions related to the construction of meta-stories of the safeguardof cultural property that derive from activities that we carried out in recently in the province of Jujuy, Argentina.These actions have challenged us to rethink the performance of Public Archeology within the framework of world heritage sites management processes. ; En el curso de los últimos años hemos venido advirtiendo que la Arqueología Pública ha trascendido el espacio académico y científico para expandir su rango de actuación a otras esferas socioeconómicas y políticas que intersectan la práctica arqueológica. En esta dinámica, el accionar profesional suele ser interpelado, motivando en ocasiones reflexiones y autocríticas que contribuyen a re-pensar el rol de la arqueología en la construcción de discursos sobre el patrimonio de las Comunidades. En este trabajo compartimos interrogantes referidos a la construcción de metarrelatos sobre la salvaguardia de bienes culturales que, se desprenden de actividades que hemos desarrollado en los últimos años en la provincia de Jujuy, República Argentina. Esas acciones nos han desafiado a repensar el accionar de la Arqueología Pública en el marco de los procesos de gestión de sitios de patrimonio mundial.