Architecture
In: Regards: les idées en mouvements ; mensuel communiste, Heft 62, S. 53-55
ISSN: 1262-0092
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In: Regards: les idées en mouvements ; mensuel communiste, Heft 62, S. 53-55
ISSN: 1262-0092
In: Radical philosophy: a journal of socialist and feminist philosophy, Heft 1154, S. 35-47
ISSN: 0300-211X
In: The Salisbury review: a quarterly magazine of conservative thought, Band 20, Heft 2, S. 50-51
ISSN: 0265-4881
In: Futures: the journal of policy, planning and futures studies, Band 32, Heft 2, S. 203-204
ISSN: 0016-3287
In: Commentary, Band 24, Heft 1, S. 28-35
ISSN: 0010-2601
Up to modern times there was no plastic art among the Jews. In modern times, however, there have been a small but perhaps a proportionately adequate number of Jewish masters in painting, sculpture, & architecture. Furthermore, in the present generation, among the very large number of respectable talents in modern art, Jews are probably more than proportionately represented. How is this to be explained? The former Jewish absence from the plastic arts is attributable in part to a philosophic att, to exclusion from the guilds of artisans, from not belonging enough to a countryside or community to absorb its scenery or to decorate it. Modern plastic art, however, has been for the last 1.5 cent an avant-garde art. It comes into being when the community & its standards do not really satisfy, when there is a conflict of values underneath, & yet there is enough wealth & safety for exp'tion. In the architectural avant-garde of the present cent there are many Jews among the disciples & a few among the leaders. In this generation particularly there have been changes in the field of architecture itself that have made it receptive to the entry of Jews: changes in the building trades, in the status of the architect, in the idea of community, in real estate, & in the modern esthetic. The absence of a native, traditional plastic art among pre-Emancipation Jews explains their slow start in architecture & the fine arts in the 19th cent as compared with their rapid strides in sci, law, literature, & music. If Jews go on to develop a characteristic architectural style in US or in Israel it will spring from the needs & functions of relatively stable Jewish communities. J. A Fishman.
In: Radical philosophy: a journal of socialist and feminist philosophy, Heft 144, S. 26-32
ISSN: 0300-211X
In: The futurist: a journal of forecasts, trends and ideas about the future, Band 9, Heft 5, S. 235-246
ISSN: 0016-3317
In: The new presence: the Prague journal of Central European affairs, Band 1, Heft 10, S. 19-21
ISSN: 1211-8303
In: The Salisbury review: a quarterly magazine of conservative thought, Band 26, Heft 3, S. 31-32
ISSN: 0265-4881
In: Peace and Conflict Studies, Band 9, Heft 1, S. 25-35
In: Jeune Afrique l'intelligent: hebdomadaire politique et économique international ; édition internationale, Heft 2023-2024, S. 130-131
ISSN: 0021-6089
In: Geopolitique africaine, S. 153-165
ISSN: 0774-6172
Zwei Probleme bestimmen die Entwicklung der Architektur in Marokko: einerseits die Aufgabe, eine Verbindung zwischen Tradition und Moderne herzustellen, andererseits die Notwendigkeit, eine schnell wachsende Bevölkerung unterzubringen. Die Analyse ist historisch angelegt: von der Entwicklung der Medinas über die koloniale Baupolitik zur Entwicklung nach der Unabhängigkeit. Konkrete Beispiele betreffen Privatinitiative und die Stadtentwicklung Casablancas. (DÜI-Wsl)
World Affairs Online
In: The review of politics, Band 20, S. 358
ISSN: 0034-6705