Les artistes italiens et Napoléon
In: Revue d'histoire moderne et contemporaine, Band 1, Heft 3, S. 226-231
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In: Revue d'histoire moderne et contemporaine, Band 1, Heft 3, S. 226-231
In: Bulletin de la Classe des Beaux-Arts, Band 30, Heft 1, S. 119-128
In: Bulletin de la Classe des Beaux-Arts, Band 43, Heft 1, S. 226-237
In: Bulletin de la Classe des Beaux-Arts, Band 27, Heft 1, S. 43-52
In: Bulletin de la Classe des Beaux-Arts, Band 27, Heft 1, S. 33-40
In: Bulletin de la Classe des Beaux-Arts, Band 27, Heft 1, S. 25-30
World Affairs Online
In: Artistes et ecrivains du temps present
World Affairs Online
In: Bulletin de la Classe des Beaux-Arts, Band 27, Heft 1, S. 19-24
In: Bulletin de la Classe des Beaux-Arts, Band 27, Heft 1, S. 11-17
World Affairs Online
In: Revue française de science politique, Band 9, Heft 4, S. 835-859
ISSN: 0035-2950
The signif of the term `intellectual' is marked by the circumstances of its origin at the time of the Dreyfus affair. The definitions are varied: the intellectual can be defined by the profession to which he belongs (a member of the U's, of the medical or legal professions, a higher administrator, engineer, artist, etc); the notion of culture can also be used to characterize the intellectual (it is certain that among the intellectuals there are those who create & distribute culture); most frequently, the intellectual is defined in moral terms by the role which he attributes to himself (he is then a creator of values). However, we cannot assume that the intellectuals form a homogeneous group: important diff's exist among them (in income, in time, in space, etc). Tr by J. A. Broussard from IPSA.