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Frontmatter -- CONTENTS -- Preface to the Paperback -- Acknowledgments -- Introduction -- Chapter 1 Why Trust Science? -- Chapter 2 Science Awry -- Coda -- Comments -- Chapter 3 The Epistemology of Frozen Peas -- Chapter 4 What Would Reasons for Trusting Science Be? -- Chapter 5 Pascal's Wager Reframed -- Chapter 6 Comments on the Present and Future of Science, Inspired by Naomi Oreskes -- Response -- Chapter 7 Reply -- Afterword -- Notes -- References -- Contributors -- Index

This thesis studies fictional representations of Fyodor Dostoevsky in contemporary biofiction. The aim of the study is to present an intermedial theoretical framework for biofiction, a genre defined as fictional biographical and often metafictional narratives in which a biographical subject serves as the focal point for the story or plays a role integral to the narrative. Drawing on contributions from prior studies within different areas—biopics, the biographical novel, intermediality, transmedial narratology—the thesis identifies the most salient tenets of an increasingly important and ubiquitous genre—its fictional, intermedial, and metafictional properties—to suggest a medium-spanning definition. From this intermedial definition of the genre, it is suggested that biofiction studies should move beyond medium-specific analysis. By situating the genre firmly within the realm of fiction, the thesis underlines the fact that it is exactly the fictional element that allows the genre to open up important ways to engage with a certain biographical subject. Overall, the biofiction definition presented in the thesis is inspired by Jacques Derrida's différance. Arguing that contemporary biofiction arose from the larger aporetic shift in theory and fiction in the 1960s, which was directed toward various presuppositions undergirding epistemological, metaphysical, and ontological projects, it is contended that biofiction fictionalizes subjects to engage with and reassess the assumptions that suffuse our understanding of the subject. From their metafictional perspective, biofictions also employ subjects for various purposes to interrogate contemporary issues. Biofictions are thus turned toward both a historical moment and its own contemporary context. Buttressed by the intermedial perspective, it is argued that biofictions often employ sustained intermedial strategies—for instance, intermedial references and formal imitation—to engage not only with artistic subjects such as Dostoevsky and their work but also with the premises of creating art. The thesis centers on five Dostoevsky biofictions within film and literature: Aleksandr Zarkhi's biopic Twenty-Six Days from the Life of Dostoevsky (1980), Leonid Tsypkin's novel Summer in Baden-Baden (1982), J. M. Coetzee's novel The Master of Petersburg (1994), Lara Vapnyar's novel Memoirs of a Muse (2006), and Vladimir Khotinenko's television series Dostoevsky (2010). As contemporary biofictions, these fictional representations of Dostoevsky were all produced or written in the wake of the aforementioned aporetic shift and therefore comprise examples of the reflexive and metacritical form of biofiction that is discussed in the thesis. The inclusion of Dostoevsky biofictions is, in part, connected with the various critical perceptions of the writer; it is maintained that biofictions such as those analyzed in the thesis proffer new readings of issues that have been overlooked or have not received due attention, such as how Dostoevsky engaged with and augmented the rivalry polemics of his day; the ways in which his conceptualization of Russian identity rested as much on inclusion as exclusion; how Dostoevsky has been employed to propagate certain models of the muse, the genius, and canonicity; and how, in today's Russia, the writer is employed to embody and express the hyperreal politics of Vladimir Putin's administration.

This information guide explains the South Carolina Tax Appeals Procedure for State Tax Refund Claims (Other than Property Tax, Bingo, and Alcoholic Beverage Matters).

Explorations of the seen and unseen social changes within the academy underpin the Counter// Narratives' project, where in 2019-2020 the life history narratives of first generation academics from Angola, India, South Africa and Syria were engaged with by visual artists from the collective Analogue Eye: Video Art Africa, many of whom are themselves first generation university-educated. In each of these contexts, a critical mass of those from groups and knowledge systems misrecognised and oppressed have negotiated radical changes in the figures and institutions of authority in their countries. Authorship is central to such power and to agency. This paper deliberates such questions and politics of authorship alongside those entanglements of author-ing inherent to the interpretative processes of storytelling, artistic research and interpretation within The 'Counter // Narratives' Project itself - which sought to explore how counter-stories may see a way through the myopia of the social delegitimation of the western-oriented academy, provide challenge to reproductions of internalised oppression, and openings to engagement with more just notions of authority. Against the dominant hero narratives of social mobility and exceptionalism, and the looming spectres of colonial universities' mythologies of quality, the artists grappled with the ethico-historical responsibility of bearing witness, but also creating generative and equitious imaginaries through their creative arts research practice. Drawing on reflective interviews with the artists, participants and ourselves as the research-curatorial team, in this video we offer a synopsis of the paper for this conference. Within it, we highlight insights into the layers of narration negotiated, including the relations between those layers and the visual discourses and micro-textuality of the final videos. Excerpts and stills from the video artworks, and extracts from correspondence, transcripts and audience reception responses are referenced by the research-curatorial team, to provide a rich and complex dialogue about the im-possibilities of representing and visualising emancipatory imaginaries.

This paper aims to analyze how Govinda Raj Bhattarai has recapitulated the public angst, the deteriorated socio-economic condition, and the cultural downfall of Nepal during the period of ten years of Maoist civil war. The characters of the novel, Ananta, Purnima, Bhaktaman, Chitrakar, and others confront various problems in their lives due to the political instability and domestic war or the Maoist civil war. Through the close reading of the text from the perspectives of trauma theory, with special references of the trauma theorists, Cathy Caruth, Jeffrey C. Alexander, and the like, the paper focuses on why and how the Maoist waged war against the imposition of the social, political, spiritual ideologies by the ruling parties, that is by the monarchical systems. The research finding is that the domestic war leads to nothing but trauma, demolition, anarchy, fights, in the life of the public, signified through the experiences of the emotionally wounded characters.

Intro -- CONTENTS -- ALPHABETICAL LIST OF CONTENTS -- LIST OF CONTENTS BY TOPIC -- PREFACE -- COVENANT OF THE LEAGUE OF NATIONS (as amended 1924) 1919 -- Articles 1-9 omitted -- Article 10 -- Article 11 -- Article 12 -- Article 13 -- Article 14 -- Article 15 -- Article 16 -- Articles 17-21 omitted -- Article 22 -- Articles 23-26 omitted -- TREATY BETWEEN THE UNITED STATES AND OTHER POWERS PROVIDING FOR THE RENUNCIATION OF WAR AS AN INSTRUMENT OF NATIONAL POLICY (KELLOGG-BRIAND PACT) 1928 -- Article I -- Article II -- Article III -- CONVENTION ON RIGHTS AND DUTIES OF STATES 1933 -- Article 1 -- Articles 2-16 omitted -- CHARTER OF THE UNITED NATIONS (as amended) 1945 -- CHAPTER I PURPOSES AND PRINCIPLES -- Article 1 -- Article 2 -- CHAPTER II MEMBERSHIP -- Article 3 -- Article 4 -- Article 5 -- Article 6 -- CHAPTER III ORGANS -- Article 7 -- Article 8 -- CHAPTER IV THE GENERAL ASSEMBLY -- Composition -- Article 9 -- Functions and Powers -- Article 10 -- Article 11 -- Article 12 -- Article 13 -- Article 14 -- Article 15 -- Article 16 -- Article 17 -- Voting -- Article 18 -- Article 19 -- Procedure -- Article 20 -- Article 21 -- Article 22 -- CHAPTER V THE SECURITY COUNCIL -- Composition -- Article 23 -- Functions and Powers -- Article 24 -- Article 25 -- Article 26 -- Voting -- Article 27 -- Procedure -- Article 28 -- Article 29 -- Article 30 -- Article 31 -- Article 32 -- CHAPTER VI PACIFIC SETTLEMENT OF DISPUTES -- Article 33 -- Article 34 -- Article 35 -- Article 36 -- Article 37 -- Article 38 -- CHAPTER VII ACTION WITH RESPECT TO THREATS TO THE PEACE, BREACHES OF THE PEACE, AND ACTS OF AGGRESSION -- Article 39 -- Article 40 -- Article 41 -- Article 42 -- Article 43 -- Article 44 -- Article 45 -- Article 46 -- Article 47 -- Article 48 -- Article 49 -- Article 50 -- Article 51 -- CHAPTER VIII REGIONAL ARRANGEMENTS -- Article 52 -- Article 53.

Frontmatter -- Vorbemerkung -- 401 -- 402 -- 403 -- 404 -- 405 -- 406 -- 407 -- 408 -- 409 -- 410 -- 411 -- 412 -- 413 -- 414 -- 415 -- 416 -- 417 -- 418 -- 419 -- 420 -- 421 -- 422 -- 423 -- 424 -- 425 -- 426 -- 427 -- 428 -- 429 -- 430 -- 431 -- 432 -- 433 -- 434 -- 435 -- 436 -- 437 -- 438 -- 439 -- 440 -- 441 -- 442 -- 443 -- 444 -- 445 -- 446 -- 447 -- 448

Based on participant observation and interviews conducted in Barcelona during 2017 and 2018, this article presents the case of the citizen participation process «Rethink the 22@» as an inspiring public policy for civic deliberation. While there are several studies which explore citizen participation as a complement to governance in representative democracies, there is still very little research looking at the implementation of the deliberative processes and even less focussed on urban planning. This paper seeks to contribute to this vacuum. In the decade of the 90', the emergence of «global cities» restricted urban governance to the interests of capital investment. In the 2010s' a factual combination of the collapse of the real estate market and the emergence of the 15M provided a fertile ground for the implementation of direct democracy activities. In 2017, the Barcelona City Council approved a new Regulation for Citizen Participation which promotes the deployment of participatory processes. Within this regulation «Rethink the 22@» is the only participatory process dedicated to urban planning. This article considers this process to be a relevant reference due to its quantity and plurality of participation, for its deliberative methodology, and for its urban extension and multiplicity interests involved. ; Este artículo estudia el caso del proceso participativo «Repensemos el 22@» en tanto que política pública inspiradora para la deliberación ciudadana, a partir de la observación participante y entrevistas en Barcelona durante el 2017-2018. La participación ciudadana como complemento de la gobernanza en democracias representativas ha sido objeto de investigación como mecanismo de profundización deliberativa. No existe, en cambio, una extensa implantación en el diseño institucional, y aun menor es su existencia en el planeamiento urbano. En la década de los 90', la emergencia de las «ciudades globales» restringió la gobernanza urbanística a los intereses de los capitales de inversión, pero en la década de 2010', a nivel español, con el contexto post-crisis inmobiliaria y el impacto del 15M empiezan a extenderse prácticas participativas. En 2017 el Ajuntament de Barcelona aprobó un nuevo Reglamento de Participación Ciudadana que impulsa la convocatoria de procesos participativos, pero sólo se reconoce el «Repensemos el 22@» como proceso deliberativo sobre planeamiento urbano. En el artículo se identifica este proceso como referencia de relevancia por su cantidad y pluralidad de participación, por su metodología, y por su extensión urbana objeto de debate y de múltiples intereses.

The League of Women Voters of Texas is a non-partisan organization that works to promote political responsibility through active informed participation of all citizens in their government. In 1919, the Texas Equal Suffrage Association evolved into the Texas League of Women Voters, and today is recognized as the League of Women Voters of Texas. Their hallmark activity is the circulation of Voters' Guides through newspapers prior to elections; locally, regionally, statewide, and nationally. The League's intent is dissemination of information on political candidates, and the objective promotion of "political responsibility through informed and active participation of citizens in government." The organization's efforts, however, are by no means limited to politics, but also address issues on water, health care, hazardous wastes, education, energy, and such international concerns as the United Nations. ; The records of the League of Women Voters of Texas also reflect socio-economic changes in the United States with the active organizational membership drives of the mid to late 1970s in response to American society's evolution into a two income family. Collectively, the materials provide researchers with invaluable insight into politics and political concerns on an international, national, statewide, and local basis. ; The collection consists of materials from national, state, and local files, financial materials, photographs, and publications of the National, Texas, and local leagues, as well as other state leagues. Also included are a study of the national league, scrapbooks, memorabilia, vice-presidential program files, and printed materials. The focus of the collection is on state committees and local units. ; Highlights from the donation include the original 1919 minutes from the Texas Equal Suffrage Association authorizing the organizational conversion to the Texas League of Women Voters, films produced by the group on legislative processes, the 104th Congressional recognition given and signed by Texas Senator ...

The League of Women Voters of Texas is a non-partisan organization that works to promote political responsibility through active informed participation of all citizens in their government. In 1919, the Texas Equal Suffrage Association evolved into the Texas League of Women Voters, and today is recognized as the League of Women Voters of Texas. Their hallmark activity is the circulation of Voters' Guides through newspapers prior to elections; locally, regionally, statewide, and nationally. The League's intent is dissemination of information on political candidates, and the objective promotion of "political responsibility through informed and active participation of citizens in government." The organization's efforts, however, are by no means limited to politics, but also address issues on water, health care, hazardous wastes, education, energy, and such international concerns as the United Nations. ; The records of the League of Women Voters of Texas also reflect socio-economic changes in the United States with the active organizational membership drives of the mid to late 1970s in response to American society's evolution into a two income family. Collectively, the materials provide researchers with invaluable insight into politics and political concerns on an international, national, statewide, and local basis. ; The collection consists of materials from national, state, and local files, financial materials, photographs, and publications of the National, Texas, and local leagues, as well as other state leagues. Also included are a study of the national league, scrapbooks, memorabilia, vice-presidential program files, and printed materials. The focus of the collection is on state committees and local units. ; Highlights from the donation include the original 1919 minutes from the Texas Equal Suffrage Association authorizing the organizational conversion to the Texas League of Women Voters, films produced by the group on legislative processes, the 104th Congressional recognition given and signed by Texas Senator ...

The League of Women Voters of Texas is a non-partisan organization that works to promote political responsibility through active informed participation of all citizens in their government. In 1919, the Texas Equal Suffrage Association evolved into the Texas League of Women Voters, and today is recognized as the League of Women Voters of Texas. Their hallmark activity is the circulation of Voters' Guides through newspapers prior to elections; locally, regionally, statewide, and nationally. The League's intent is dissemination of information on political candidates, and the objective promotion of "political responsibility through informed and active participation of citizens in government." The organization's efforts, however, are by no means limited to politics, but also address issues on water, health care, hazardous wastes, education, energy, and such international concerns as the United Nations. ; The records of the League of Women Voters of Texas also reflect socio-economic changes in the United States with the active organizational membership drives of the mid to late 1970s in response to American society's evolution into a two income family. Collectively, the materials provide researchers with invaluable insight into politics and political concerns on an international, national, statewide, and local basis. ; The collection consists of materials from national, state, and local files, financial materials, photographs, and publications of the National, Texas, and local leagues, as well as other state leagues. Also included are a study of the national league, scrapbooks, memorabilia, vice-presidential program files, and printed materials. The focus of the collection is on state committees and local units. ; Highlights from the donation include the original 1919 minutes from the Texas Equal Suffrage Association authorizing the organizational conversion to the Texas League of Women Voters, films produced by the group on legislative processes, the 104th Congressional recognition given and signed by Texas Senator ...