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The Delta Survey workshop: proceedings from conferences held in Alexandria (2017) and Mansoura (2019)
In: Archaeopress egyptology 41
Handbuch der Orientalistik, The Near and Middle East, volume 150, Prominent murder victims of the pre- and early Islamic periods including the names of murdered poets
"Muḥammad ibn Ḥabīb (d. 860), a specialist in Arab history, tribal genealogy, and poetry, who lived in Baghdad, collected in his Prominent Murder Victims many accounts of murderers and murder victims from the legendary pre-Islamic past, such as how Bilqīs, the Arabic name for the Queen of Sheba, came to power, to the murders ordered by viziers or caliphs in the early Islamic centuries. A lengthy appendix deals with poets from pre- and early Islamic times who were killed. The stories are entertaining as well as informative. Strikingly, the author refrains from explicit moralising. The present book offers a richly annotated English translation together with an improved Arabic text and indexes of persons, places, and rhymes"--
Momentography of a failure: Finfinnee, 'Adis 'Ababā, Addis Ababa
Momentography of a failure brings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city. It explores the gradual transition of rural-urban space, inner-city migration, emerging and disappearing spaces, and commoning in public space. Momentography of a failure is established at the verge of a hyper-documented world, a hybrid space of digital sociability. While the media production, its reception, and distribution was pluralized by digitization, practices such as "media-sharing" and "citizen journalism" established new conditions for visibility, reinvented the authorial image, and promoted yet another dematerialization of authorship. The author camouflages in the cloud(s). Adoption, appropriation, and recycling are standardized. Authorship becomes secondary to content and alternative models of authorship are formulated: co-authoring, collaborative creation, interactivity, and strategic anonymity, in which cultural activism is reinforced. Momentography of a failure sets out on this point and draws up a multidisciplinary artistic and urban research platform that calls for practicing forms of participatory citizenship through collaborative thinking, creation, and reflection. Momentography of a failure is a network of artists, urbanists, writers, and activists that stand where aesthetic-artistic practice and sociopolitical activism come together to explore failure--and its various realities--and claim, reaffirm, and dream alternatives