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The paper intends to expose the initial features of Heidegger's hermeneutic phenomenology from the criticism made by the author to the critical-teleological method of Baden Neokantism in the 1919 lecture 'The Idea of ​​Philosophy and the Problem of Worldview'.

This article aims to highlight the value attributed to art, especially music, by Arthur Schopenhauer. The author's relationship with the philosophy of Fichte and Schelling will be articulated, contextualizing his thinking with the german romantic movement. Moreover, by presenting his aesthetic hierarchy, some fundamental aspects of the author of The world as will and representation will be pointed out, insofar as this duality is also pointed to when referring to the different artistic styles.

In this article we seek to analyze the senses of the anthem composed for the city of Feira de Santana, Bahia, in 1928, by poet and conductor Georgina Erisman. It is an exercise in interpreting the symbols and meanings of the work (the anthem) and how the author sought to represent this city based on a set of elements that defined local identity in the early twentieth century. Such elements went through their commercial vocation, their religiosity, their femininity and even their climate, among others. A set of images whose meaning has been almost completely lost to later generations, even though the anthem is still one of the city's official symbols

Montaigne and Diderot were philosophers, humanists, and defenders of critical skepticism. His writings are characterized by a fluid, private, and comic writing style. In Diderot we see a philosopher playwright, author and critical theatrical. In Montaigne a non-academic philosopher, a magistrate averse to the perfectionism of scholastic philosophy, which instituted a new style of writing. There is a common trait in how they both understand philosophy. For Montaigne and Diderot, ethics and aesthetics are two domains of philosophy that have a close relationship. The work of art is an essential element that has the power to awaken the human spirit and lead it to the experience of true virtue.

This article analyzes the role played by the State Council of D. Pedro II in combating the international slave trade. Until the mid-1850s, the slave trade was presented as a problem of difficult resolution for Brazilian elites due to a number of factors: as constant threats from the English government, the importance of slave labor in the country's economic structure and in political lobby of slaves owners. England was asserting its economic and military status as a global power to impose on Brazil an end to the interatlantic slave trade. Due to the international pressures suffered by Brazil, the continuity of trafficking has become a matter of concern for national elites. The theme provoked a wide debate in the sessions of the Full Council. The English interventionist stance was severely criticized by the councilors for violating national sovereignty. From the Eusébio de Queiróz law, the Council of State acquired a new configuration not provided for the Constitution: to judge and punish, in the second instance, those involved in the slave trade. In order to guarantee effective punishment for traffickers and to appease the international pressure suffered by Brazil, the State Council tried to attract the processes related to trafficking to its jurisdiction. Punishing those involved in this type of trade was not an easy task due to the complicity and collusion of local authorities. The present text is part of doctoral research developed by the author when turning to the theme of slavery. At the theoretical level, the author seeks to realize an interface between the field of History and Social Sciences, particularly Political Science. This work uses a wide bibliographic collection, in addition to a series of primary sources, in particular, the Minutes of the Council of State.

The text is part of a doctoral research process in education, and dialogues, in an essayistic manner, with themes such as the city, images, body and everyday affective crossings. These dialogues tension with education, history, daily life and other ways of thinking about the urban tangle, anchored in the cartographic method. Through formative processes experienced by the author, seek to evidence issues, concerns and discomforts that are still unstable, rehearsed in everyday life and outlined in thought and inventions. It argues that the power of creation and wandering in the city are insurgent ways of ruptures in the face of current conservative advances, paying attention to the exercise of otherness, inventiveness and experimentation, having as main references authors such as Michel Foucault, Suely Rolnik, Félix Guattari , Peter Pelbart, among others.

Jürgen Habermas is a modern thinker who presents us with a rationality capable of creating spaces of freedom that correspond to the ideals of social emancipation that have always crossed the horizon of Western modernity. Through several studies by this author, including critical contributions to his theory, we will develop his epistemological reflection and his relevant contribution to the renewal of German critical theory. We will begin by presenting his critique on positivism, and then summoning the dispute with Gadamer about hermeneutics. Habermas adopts hermeneutics, albeit with some criticism, as a facilitator of self-reflection that allows revealing to social sciences the errors of both objectivist social science and vulgar analysis of language. We will follow this thinker's perspective on the interests that guide knowledge and, finally, we will take into account his theory of communicative rationality, which stresses Habermas's universalist optimism, based on a healthy pluralism that allows human consensus.

This work aims to analyze the Hans Jonas' reflection on the ontological status of the animal that is inserted, in this context, in a more general analysis of the phenomenon of life and presents itself as an important topic in the ontology that intends to combat dualism and the rupture between human animals and non-human animals. By recognizing different degrees of a spiritual activity among living beings, the author, however, does not share the idea of a full equality among animals, although his perspective is of common traits that accentuate the transanimality of man, that is, its belonging and, at the same time, its difference in relation to the beasts. Therefore, his philosophy is not limited to the discourse on animal rights, but rather intends to think of a new animal ontology and a new human animality through the psychophysical integrity and the constitutive relationship between human and non-human animals within the field of nature.

The objective this article is to investigate the problem of the formalism in moral giving emphasis to G. W. F. Hegel and its Philosophy of Right as proposal of objectivation of the normative contents of acting. The intention is to present the version of Hegel for the problem of the formalism in relation the determination of acting in the sphere ethical, politics and legal. For the concretion of such task it is necessary to investigate the consideration concerning the 'Moralität and Sittlichkeit', estimated basic to build a project stuffed for a 'Philosophy of Right' and the figure of the State politician. The contributions of Hegel to effectuate the proposal of overcoming of the formalism if find in 'Grundlinien der Philosophie des Rechts: Über die wissenscaftischen Behandlungsarten der Naturrechts and Phänomenologie des Geistes'. The author apresents a clarification some of the main aspects in such a way of the objections how much of the attempts of reply to the problem.

Leonardo Bruni (1370-1444), chancellor and historian, is the author of one of the main praises of the city of Florence of this period. In writing to Laudatio florentinae urbis (1403-1404), the humanist describes Florence and its government as a well-ordered, beautiful, wholesome, free and participatory city. The paper analyzes this text not only as a rhetorical piece, but highlights the republican ideals of freedom, self-government and citizenship. From an institutional point of view, Laudatio offers the foundations of mixed government, which would become a central aspect of Renaissance republicanism. From the ancients, Bruni removes the idea of the division of powers from the classic triad monarchy, aristocracy and democracy, with the separation of functions in each of these pure forms. Bruni points out that both aspects of antiquity can be found in the Florentine institutions of his time, in such a way that he observes in the historical fact the realization of an ancient political theory, complementing, therefore, the idealization of the city.

This article, of a philosophical nature, has as its object of study a critique of the representative and dogmatic model of thought made by the philosopher Gilles Deleuze. A bibliographic research has as theoretical horizon the philosophy of difference, focusing on the Deleuzian legacy. The author presents assumptions that created representative thinking in the form of postulates. There are eight postulates: Cogitatio Universalis (thinking naturally, the ideal of common sense, the model of recognition, the element of representation, the negative of error, the privilege of design, one of the solutions and the result saber. It is worth pointing out the contours of these postulates that show a dogmatic image of thought - a traitorous image of what it means to think. This model image has strong resonances in the contemporary educational universe. It is therefore a matter of effecting, in tune with Deleuze, a critique of the dogmatic images of thought and its boundaries that often deemphasize thought, the thought of education, and, by extension, life itself.

This article aims at comparing the similarities contained in criticism of liberal democracy present in some selected works of Carl Schmitt (1888-1985) and Robert Kurz (1943-2012). In spite of the close association of the first author with the Nazi regime after 1933 and of the second being normally characterized as a Marxist thinker (although very critical to "orthodox" Marxism), numerous similarities between the two are verified when they attempt to analyze the characteristics of parliamentarian liberalism in twentieth-century democracies. One hypothesis that might explain such similarities would be the influence exercised by Schmitt on Frankfurt School theoreticians, from whom Kurz often draws inspiration in his writings - in particular, Walter Benjamin, Theodor Adorno and Max Horkheimer, although Schmitt also influenced Franz Neumann, Otto Kirchheimer, Karl Korsch and Herbert Marcuse. Another interpretation addressed here refers to the possibility that Schmitt found, in his theories about the State and about law, the epistemological limits of modern liberalism, which constitutes Kurz's main research subject and was a recurring theme in the writings of the Frankfurt theorists.

Gaston Bachelard (1884-1962), French philosopher, followed a period of ruptures, that is, of conceptual and methodological changes in contemporary physics. He is one of several thinkers who presented important reflections for the understanding of contemporary atomistics. This article highlights the main philosophical reflections of Gaston Bachelard about the foundations of quantum mechanics. For that, it uses important concepts of its epistemology without which its ideas become incomprehensible. Thus, this work highlights how this science breaks with traditional scientific and philosophical ideas in the first half of the 20th century by presenting a new object of knowledge, namely, the quantum corpuscles. Furthermore, in order to characterize the philosophy of bachelardian quantum physics, according to the author, the nature of atomic particles stands out, as the scientific activity of this science in the creation of new phenomena is emphasized and its rationalism applied as philosophy is emphasized best suited to the new physics. Finally, it is emphasized in this work that Bachelard's ideas are different from other interpretations of quantum mechanics.

First of all, the article analyzes, in panorama, Spinoza's ontology. Secondly, it shows how, from the concepts present in the ontology, the author derives others, as man, desire, joy and sorrow, hope and fear, security and despair, action and passion. From the relationship between ontology, men and desire - as well as from the other affects -, are extracted, in brief considerations, some Spinoza ́s political thesis. In this argumentative movement, the hypothesis is that many Spinoza's political thesis a rise from its ontology and its conception of man as desire and potency variation. The concept of desire is analyzed in the light of the variation of potency and the theme of natural right, which in Spinoza is identical to potency. When the subject is the brief derivations to politics, some hobbesian thesis - related to the following subjects, namely, the multitude, the people, the representation, the natural right, the civil state, etc. - are brought to show, by contrast, the importance of Spinoza's innovations.

In this article we intend to establish the bases that Martín de Azpilcueta demonstrates his foundation of political authority to reflect on how this thinker articulates his argument to present the people as the original holder of the civil power by natural right. To achieve this objective it will be present how the author relates and distinguishes the ecclesiastical power from secular or civil power. So, it will be shown how the Spanish thinker establishes his foundation of popular civil authority by claiming that civil power legitimizes itself by having its origin in God because it is your natural order and it is given immediately to the community of mortals. According to the thought of Martín de Azpilcueta, it is possible to consider that the secular political authority has the people as its legitimate depository and results in the original equality of all men in public life. In order to accomplish the objective presented in this paper, we will specifically study Notabile tertium present in the work Martín de Azpilcueta called Relectio C. Novit de Iudiciis first published in Coimbra in the year 1548.