Democrazie e religioni: libertà religiosa, diversità e convivenza nell'Europa del XXI secolo : atti del Convegno Nazionale ADEC, Trento, 22-23 ottobre 2015
In: Quaderni della Facoltà di giurisprudenza dell'Università degli studi di Trento 21
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In: Quaderni della Facoltà di giurisprudenza dell'Università degli studi di Trento 21
In: Bibliothèque de l'Institut de Recherche Juridique de la Sorbonne - André Tunc tome 74
In: colección poesía 22
In: Nueva Sociedad, Heft 261, S. 4-12
ISSN: 0251-3552
El triunfo de Mauricio Macri en la segunda vuelta de las elecciones . - presidenciales argentinas, el 22 de noviembre de 2015, marca . - un profundo giro en la política del país. Al quiebre del bipartidismo . - y la derrota del peronismo, se suma un proyecto con tonalidades . - refundacionales, sustentado en una visión de modernización gerencial . - de la política y el Estado. En la selección de los cuadros que dirigirán . - las instituciones estatales se cifra entonces buena parte de este . - proyecto reformador, que tiene a gerentes de grandes firmas como . - mascarón de proa del nuevo «país normal», republicano y emprendedor. (Nueva Soc/GIGA)
World Affairs Online
In: Colección Arquitectura
The author recovers the importance of the modern residential architecture in Chile. In particular, for the validity and sustainability of the large neighborhood units built by corporations of housing in the middle of the 20th century in Chile, under the direction of the Corporación de la Vivienda (CORVI, Housing Corporation) and the construction companies of EMPART (Caja de Previsión de Empleados Particulares)
"Pérez tackles a crucial topic to understand the climate of uncertainty and vulnerability that oppresses Mexican society: the behavior of the army during the past few years. The author examines in detail the structural violence of the military ranks and directly confronts the impunity with which soldiers have frequently been allowed to break the law, violate human rights, and attack the civilian population without any kind of legal consequence"--Amazon.com
capítulo 1. Más por menos: la inflación -- capítulo 2. El PBI, el crecimiento y las crisis -- capítulo 3. De las vacas a la soja, la madera y el software -- capítulo 4. El señor Estado -- capítulo 5. Impuestos a la uruguaya : los ingresos del Estado -- capítulo 6. Cuatro bocas que alimentar : en qué gasta el Estado -- capítulo 7. La hora de la verdad : el presupuesto y el déficit fiscal -- capítulo 8. Cuando el soberano pide prestado : la deuda pública -- capítulo 9. El gobernante en su laberinto : política económica -- capítulo 10. Los dueños del globo : dónde están? Quiénes son? -- capítulo 11. El mundo bloques : comercio internacional -- capítulo 12. ¿Merco qué? : Uruguay y sus vecinos -- capítulo 13. La ley primera : cómo funcionan los mercados? -- capítulo 14. El consumidor y sus expectativas -- capítulo 15. Todo tiene un precio : oferta y demanda de dinero -- capítulo 16. Árbitro y jugadores del sistema financiero -- capítulo 17. Letras, acciones y bonos : las Bolsas de Valores -- capítulo 18. La casa en orden : finanzas personales -- capítulo 19. Un mundo de plástico : el reino de las tarjetas -- capítulo 20. A cuánto va a estar el dólar? : el mercado cambiario -- capítulo 21. Llegar a fin de mes : el mercado laboral -- capítulo 22. Países ricos, países pobres
In: Artes y medios
Was Lola Mora the only active artist between 1890 and 1920? Judging by the repercussion of his work, one might think so. Or was it just the most visible emergent of a forgotten creative group: that of the female artists of that period? Georgina Gluzman presents in this book the work of other female artists in the city of Buenos Aires during those years. This is a large group whose importance has been overlooked: Maria Obligado de Soto y Calvo, Sofía Posadas, Eugenia Belin Sarmiento, Ana Weiss de Rossi, Lía Correa Morales, among many others. In addition to focusing on a group of figures and works, the author analyzes issues such as the artistic education of women, the representation of artists in the press and the relationships between women's movements and arts, thus mapping a complex map of trajectories, productions and practices marginalized by traditional studies
In: Estudios internacionales: revista del Instituto de Estudios Internacionales de la Universidad de Chile, Band 48, Heft 183, S. 67-92
ISSN: 0014-1518, 0716-0240
World Affairs Online
The fundamental problem that Paraguay faces is not a question of old or new course, nor is it a question of "left" or "right." The problem is more serious and structural, since Paraguay post stronista, from 1989 until today, lacks "north," objectives, goals and mechanisms duly agreed, without which the country will be trapped for a longer time in the appalling situation In which it is. The writer and journalist explains that Paraguay has not have any direction since the fall of Alfredo Stroessner. It is so in the first part the author exposes what was the government under the control of the Colorado Party, from Alfredo Stroessner to Nicanor Duarte Frutos and how the Fernando Lugo project is managed. In the second and third parts of the book a detailed analysis of the governments of the democratic era is made, with emphasis on the governments of Fernando Lugo, Federico Franco and Horacio Cartes. And it ends with a deep reflection on the presidential succession of 2018 and the theme of presidential re-election
World Affairs Online
This book studies the period of the Chilean political graphic art (posters, public art). The author inquires into the unexplored area between the "golden age" of the political poster during the Popular Unity and the poster produced after the 1973 coup d'état in exile. And it does so by taking the experience of two graphic collectives that until now had been left in darkness: the Association of Young Plastics APJ (1979-1987) and Tallersol (1977). In this sense, this book does more than fill a void, for "filling" already announces a fiction of totality; As we know, a field of knowledge is never completely saturated: there is always emptiness and there is full, and such dynamics is what produces possibility and future. This is well known by Nicole Cristi and Javiera Manzi, the authors of this book, who have the audacity to construct with rigor and passion a story that places and restores the artistic-political itinerary of two essential collectives of graphic action of the dictatorial period, In turn, are the tip of a much wider skein of coordinations, groupings and experiences still very little explored by historiography and local criticism. A plot of which the posters shown here - almost for the first time - are a historical and technical mark. So, this book does not come to fill, but to reopen the discussion about graph and politics, a book that also has the generosity to leave offered multiple edges to explore on the field of cultural resistance to the dictatorship of Augusto Pinochet