Suchergebnisse

The purpose of the article is to construct an up-to-date research methodology which will allow to examine territories within the context of sustainable development issues. Sustainable development of socio-economic and natural systems in its entirety is impossible without a comprehensive consideration of key factors and conditions that affect the state and prospects for their development, and without a targeted impact on these factors and conditions. The main result of the study is the adaptation of the methodology to the study of sustainable development of territories with different economic specialization and growth potential. A successful solution to this task is impossible without the development and consistent application of the research methodology, adequate to the goals and tasks set, to the current situation and the long-term trends in the development of nature and society. The results of our research suggest the solution of applied socio-economic tasks for the development of territories (subjects of the Russian Federation, small and medium-sized cities) to improve the quality of life and sustainable economic growth.

The article is devoted to the analysis of the correlation between the figures of the real author and the fictional author-narrator in the novel by M.Yu. Lermontov A Hero of Our Time. It is shown that as a result of the inclusion in the text of the second edition of the novel (1841) of the author's preface, containing Lermontov's polemic with the reviewers of the first edition, there was an interference of the "I" of the real creator of the work and the "I" of the fictional author, to whom the stories Bela, Princess Mary and the preface to the diary of the protagonist are attributed. It is significant that some of the biographical features of Lermontov and the fictional author coincide, and the two prefaces overlap. Thanks to all this, the effect of a non-trivial literary game arose, based on the illusion of the authenticity of the events set forth in the novel: the real author seems to get acquainted with
Pechorin. This game is fundamentally different from the Sternian play and violation of the boundaries of the real and the fictional in A.S. Pushkin's Eugene Onegin, whose main characters are represented both by real persons and creations of the author's imagination. Unlike Pushkin and many contemporary Russian prose writers, Lermontov does not expose, but, on the contrary, hides the fictional, purely literary nature of his narrative. At the same time, the creator of A Hero of Our Time does not resort to literary hoax, does not directly try to pass off either the first-level narrator or Pechorin as the real authors of the novel or part of it. The story of A. von Chamisso The Extraordinary Story of Peter Schlemil could serve as a model for such a game, in which the central character, who tells a fantastic story of the events of his life, is an acquaintance of the author and his real-life friends.