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In: Differences: a journal of feminist cultural studies, Band 34, Heft 1, S. 60-68
ISSN: 1527-1986
This essay treats the concept of coercion in Leo Bersani's writings as a matter connected to questions of aesthetic form, mobility, and immobility. It reads passages from his work on Derek Jarman's film Caravaggio, among others, to argue for noncoercive modes of attention and relationality.
In: The current digest of the post-Soviet press, Band 73, Heft 18, S. 13-14
In: The current digest of the post-Soviet press, Band 72, Heft 48-049, S. 14-14
In: The current digest of the post-Soviet press, Band 72, Heft 26, S. 12-12
In: The current digest of the post-Soviet press, Band 72, Heft 25, S. 12-13
In: The current digest of the post-Soviet press, Band 72, Heft 6, S. 14-14
In: The current digest of the post-Soviet press, Band 72, Heft 1-002, S. 13-14
In: The current digest of the post-Soviet press, Band 71, Heft 41, S. 13-13
In: The current digest of the post-Soviet press, Band 71, Heft 12, S. 14-14
In: The current digest of the post-Soviet press, Band 70, Heft 51-052, S. 11-11
In: The current digest of the post-Soviet press, Band 70, Heft 42, S. 14-15
In: The current digest of the post-Soviet press, Band 70, Heft 35-036, S. 15-16
In: The current digest of the post-Soviet press, Band 69, Heft 44-045, S. 15-15
In: The current digest of the post-Soviet press, Band 69, Heft 33-034, S. 11-11
In: The current digest of the post-Soviet press, Band 69, Heft 33-034, S. 11-12