Suchergebnisse

In 'They Love Us Because We Give Them' Zakāt , Dauda Abubakar describes the practice of Zakāt in northern Nigeria. Those who practice this pillar of Islam annually deduct Zakāt from their wealth and distribute it to the poor and needy people within their vicinity, mostly their friends, relatives and neighbours. The practice of giving and receiving Zakāt in northern Nigeria often leads to the establishment of social relations between the rich and needy. Dauda Abubakar provides details of the social relationship in the people's interpersonal dealings with one another that often lead to power relations, high table relations etc. The needy reciprocate the Zakāt they collect in many ways, respecting and given high positions to the rich in society

The issues of ethnicity and democratization and the prospects for development in postcolonial Africa have long preoccupied scholars. When most African countries gained independence from the colonialists in the 1960s, the ruling elites who inherited state power insisted that Africa could not afford the luxury of democracy because of its potential for exacerbating ethnic pluralism and political conflict, which would be detrimental to the more pertinent projects of development and integration/nation building. The ideology of development and national integration in postcolonial Africa thus became the justification for one-party rule, autocracy, and military dictatorship.

The most pressing environmental challenge encountered by the urban areas of Nigeria is domestic solid waste management. With its population reaching 200 million, Nigeria sustains its position as one of Africa's largest producers of solid waste. It is indicated that more than 30 million tons of solid waste are generated annually, mostly by households (URL1). Insufficient collection and disposal of municipal waste and lack of reliable transport infrastructures, including inadequate budgetary provisions make the implementation of waste management processes across the States very difficult. Despite the measures put in place by governments across the country, waste management is still a challenge to tackle in high-density residential areas, specifically in informal settlements. Public awareness and participation are critical components in waste management programs besides appropriate legislation, resilient technical support, and adequate funding if certain accomplishments are required. Based on this perspective, the research focuses on understanding what kind of solid waste is generated and how it is disposed of in a selected high-density residential area, the Nassarawa "A" Ward in Minna city where the existence of rising informal settlements is a pressing issue. A household survey is conducted amongst informal settlers to assess the connection between the level of education of households, their awareness of the topic, and also, willingness to participate in the process. The research results proved that majority of the residents were concerned and affected by the poor state of their environment due to the lack of an appropriate solid waste management approach. Very few residents had awareness regarding the stages of waste management such as reusing, recycling, and composting. The research concludes that based on the results obtained from the survey, any waste management strategies introduced should encourage the education of residents and their active participation in the process.

Le griot dans la société traditionnelle africaine de l'ère précoloniale est un personnage complexe chargé d'une myriade de fonctions. Il est bien respecté et honoré. La présente étude se donne l'objectif d'examiner profondément la peinture du griot dans la littérature africaine postcoloniale utilisant Guelwaar de Sembène Ousmane comme texte de base tout en établissant ses fonctions et ses portraits. L'étude privilégie quelques théories critiques comme le postcolonialisme, les théories marxiste et féministe. De plus, l'examen s'effectue à la lumière de l'image du griot d'antan et des sept catégories de nouveaux griots postulés par Ifeoma Mabel Onyemelukwe. Nous découvrons deux types de griot dépeints par Ousmane dans Guelwaar : le griot personnage littéraire nommé Guelwaar et le griot écrivain contemporain africain, Sembène Ousmane lui-même. Ces deux griots entretiennent des rapports de similitude et de divergence avec le vrai griot. Mais le griot écrivain contemporain africain ressemble beaucoup plus au griot d'antan en dépit des points de divergence. Nous finissons par déceler dix-huit fonctions du griot et par-là arriver aux dix-huit portraits du griot dans Guelwaar dont le griot bibliothèque publique bien documentée et le griot détenteur de la littérature écrite africaine postcoloniale. Nous parvenons à la conclusion que la littérature postcoloniale, comme l'atteste Guelwaar de Sembène Ousmane, se caractérise par une revalorisation des valeurs authentiques, honorables et louables du griot de caste. Ceci est symbolisé par l'apparition du griot personnage littéraire dans certaines oeuvres de la littérature écrite postcoloniale africaine comme Guelwaar et surtout la prééminence accordée aux griots écrivains contemporains africains tel Sembène Ousmane.

The griot, in the traditional African society is a complex personality charged with multiple functions. He is well respected and honoured. The objective of the present research is to make an in-depth study of the depiction of the griot in post-colonial literature using Guelwaar as study text while establishing his functions and portraits. Postcolonialism, Marxist and Feminist theories constitute the theoretical framework. Furthermore, the examination is carried out in the light of the image of the real griot and the seven categories of new griots promulgated by Ifeoma Mabel Onyemelukwe. It is found that Sembène Ousmane depicts two types of griots in Guelwaar, namely: the griot as literary character named Guelwaar and the griot as contemporary African writer, Sembène Ousmane, himself. These two griots have certain similarities and differences with the real griot. But the findings show that the griot as contemporary African writer resembles more the real griot, their points of disparity notwithstanding. Eighteen functions and eighteen portraits of the griot are established, among which are: the griot as well documented library and the griot as custodian of written postcolonial African Literature. A firm conclusion is reached, that postcolonial literature, as reflected in Sembène Ousmane's Guelwaar, is characterized by the revalorization of the real griot's authentic, honorable and praise-worthy values. This is symbolized in the projection of the griot as literary character in some literary works like Guelwaar and in particular, the preeminence given to griots as Contemporary African writers as typified by Sembène Ousmane.

This book explores the rise and impact of violent non-state actors in contemporary Africa and the implications for the sovereignty and security of African states. Each chapter tackles a unique angle on violent organizations on the continent with the view of highlighting the conditions that lead to the rise and radicalization of these groups. The chapters further examine the ways in which governments have responded to the challenge and the national, regional and international strategies that they have adopted as a result. Chapter contributors to this volume examine the emergence of Islamist terrorists in Nigeria, Mali and Libya; rebels in DR Congo, Central African Republic, Ethiopia and Rwanda; and warlords and pirates in Somalia, Uganda and Sierra Leone.

This study examines the strategic silence under President Muhammadu Buhari's administration in Nigeria. Anchored on Shannon and Weaver mathematical model of communication and spiral of silence theory, the study beams a searchlight on instances of President Buhari's strategic silence, public perception of Buhari's silence on sensitive national issues; and the implications of his silence on his administration's image. The study which adopted qualitative research approach recommends that President Muhammadu Buhari should personally cultivate the culture of addressing Nigerians on sensitive national issues to give the people a sense of belonging and trust and that the president should change the negative perception of his administration by reducing the rate at which he depends on media team and spokespersons to communicate to the people on virtually everything.