There is widespread evidence that those claiming out-of-work benefits experience different types of 'benefit stigma' in the UK, with the focus largely falling on conventionally disadvantaged welfare users. In contrast, graduates' experiences of 'benefits stigma' go unnoticed because of their relative advantage within the labour market. Yet, an increase in precarity across the labour market has unsettled graduate transitions and is re-shaping their relationships with out-of-work benefits. Against this backdrop, this article explores how graduates respond to different aspects of 'benefit stigma'. It posits that challenging stigmatising narratives associated with out-of-benefits – is integral to support graduates furthest away from knowledge-based economy jobs.
This paper explores the dissemination of French dance, dance notation, and dance music throughout Europe, and it explains the reasons why French culture had such an influence on other European societies from 1600-1750. First, the paper seeks to prove that King Louis XIV played a significant role in the outpour of French dance and the arts. Next, the paper discusses prominent French writers of dance notation who influenced the spread of French dance literature and training throughout Europe. Finally, the paper delineates European composers and their involvement in the development and production of French dance music. Using academic, peer-reviewed journal articles, books, and other scholarly sources, this paper seeks to accurately present the information in an orderly fashion. The paper contains visual evidence of dance and music notation to assist the reader in understanding the subject matter. Additionally, theories of contemporary authors as well as authors from the time period are discussed to present concrete evidence. The two main types of dance discussed in the paper are ballroom and court dances, which were prominent within the French royal court. One major finding of the research is the fact that French court and ballroom dances were specifically designed to communicate the power and prestige of King Louis XIV; consequently, other European countries were influenced to strive for similar prestige. Another finding is that many forms of French dance notation were translated and published in other countries, which increased the use of French dance throughout Europe. Musically, European composers such as Handel and Mozart included elements of French dance music in their compositions, and thus played a significant role in prevalence of French dance music throughout Europe. Overall, this paper proves that French dance received wide recognition due to political influence, availability of dance notation, and the involvement of prominent composers.
History and capabilities of military counterterrorism units, methods of employing them outside the US, and benefits of prosecuting terrorists apprehended by such units under international law. Potential missions include improving security of US diplomatic and military installations overseas, preemptive strikes, hostage rescue, and capturing terrorists.
Intro -- À propos de Collection XIX -- Titre -- Dédicace -- NOTRE VIEILLESSE -- LE SEUIL DE JOUVENCE -- L'ŒUVRE DE PITTSBURG -- LA TOUR DU TITAN -- LES FIANCÉS -- LES CHIMÉRISTES -- LE PROVISOIRE -- PHYSIONOMIES D'INAUGURATION -- LES EAUX DE JOUVENCE -- LES CONQUÉRANTS -- LES MÉRIDIONAUX -- LE BEAU GESTE DES YANKEES -- L'ESPRIT DE SYNTHÈSE -- LES PASSANTS DE NEW-YORK -- APPENDICE -- L'ART ET LES YANKEES -- MOYENS ESTHÉTIQUES DE SÉDUIRE -- EXPORTATION DE NOS ŒUVRES ESSENTIELLES -- NOS CONCURRENTS -- Note au lecteur -- Page de titre de l'édition imprimée -- Copyright
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Rare species have long exerted a particular fascination for many botanists. The reasons for this are discussed, as are the justifications for the scientific study of rare and threatened species. A high proportion of the threatened species currently on the Schedules of threatened species in New South Wales were first collected by the earliest botanical explorers. Possible reasons for their success in finding rare species are speculated upon. Legislative requirements for the identification of threatened species have arisen under the Biodiversity Convention, and the particular regime established by the New South Wales Threatened Species Conservation Act 1995 is described. Features of the plants currently included on the New South Wales Schedules are discussed and the question as to whether they are affected by a variety of recording biases is examined. The consequences of listing for the long term conservation of threatened species are explored.