Suchergebnisse

Turkey's rising leftist student movement in the late 1960s admired the Palestinian Fedayeen movement and considered it as a school for their own future struggle. In the late 1960s young Turkish-Kurdish leftist students went to Palestinian guerilla camps in Lebanon to be trained in preparation for armed struggle in Turkey. That relationship gained new momentum following the 1980 military coup in Turkey, which heavily impacted Turkish and Kurdish radical movements. The Palestinian camps turned out to be a major retreat for these Turkish-Kurdish groups, among whom the PKK was a primary beneficiary. The PKK seized this opportunity not only for military training but also for organisational recovery which almost no other Turkish or Kurdish movement managed. This article aims to trace the relationship between Turkish-Kurdish radical movements and Palestinian organisations, focusing mainly on the PKK. I argue that the PKK has made use of this relationship in realising the so-called "Palestinian Dream" within the Kurdish context. "Xewna Felestînê" li meydana kurdîKurte Hereketa xwendekarên çepgir ya Tirkiyeyê, ku di dawiya salên 60an de bihêz dibû, bi hijmekarî bal û nezera xwe dabûne ser hereketa "Feda'îyên Felestînê" û ew wek mektebekê didîtin ji bo têkoşîna xwe ya paşerojê. Dawiya salên 60an, xwendekarên ciwan ên çepgir ên tirk û kurd çûne nav kempên gerîlayên Felestînê li Lubnanê da ku xwe ji bo têkoşîna çekdarî li Tirkiyeyê amade bikin. Ew têkilî piştî derbeya leşkerî ya 1980an li Tirkiyeyê hêj bihêztir bû û tesîreke mezin li hereketên radîkal ên tirk û kurd kir. Kempên Felestînê bûne stargehên girîng ji bo van komên tirk-kurd, ku ji nav wan herî zêde PKKyê sûd jê wergirt. PKKyê ev îmkan ne tenê ji bo perwerdeya leşkerî lê herwiha ji bo selihandin û biserxwedehatina xwe ya rêxistînî jî bi kar anî, ya ku ti yek ji hereketên tirk-kurd ên din nekarîbûn pêk bînin. Ev gotar dikeve pey têkiliya di navbera hereketên radîkal ên tirk-kurd û rêxistinên Felestînî de, lê bi taybetî li ser PKKyê hûr dibe, û nîşan dide ku PKKyê ji vê îmkanê wisa îstifade kiriye ku "Xewna Felestînê" li meydana kurdî pêk bîne.

This article analyses the life and work of Halil Dağ (1973–2008), a filmmaker who worked within the Kurdish insurgent movement, with two critical goals. First, the authors use Dağ's case to conceptualize vernacular cinema of conflict, defying traditional dichotomies between mainstream/vernacular, and fiction/non-fiction. Secondly, through Dağ's case they seek to better understand the role of vernacular cinema of conflict for the Kurdish culture of resistance and the PKK insurgent movement in particular. Empirically, the article discusses unique ethnographic records (interviews and personal correspondence with Dağ) and a qualitative content analysis of his major films. The authors argue that the concept of vernacular cinema of conflict can serve a better comprehension of the hybrid character and impact of filmmaking in conflict zones.