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In: Journalism studies
In: Key concepts in journalism
What role can the ordinary citizen perform in news reporting? This question goes to the heart of current debates about citizen journalism, one of the most challenging issues confronting the news media today. In this timely and provocative book, Stuart Allan introduces the key concept of `citizen witnessing` in order to rethink familiar assumptions underlying traditional distinctions between the `amateur` and the `professional` journalist. Particular attention is focused on the spontaneous actions of ordinary people - caught-up in crisis events transpiring around them - who feel compelled to participate in the making of news. In bearing witness to what they see, they engage in unique forms of journalistic activity, generating firsthand reportage - eyewitness accounts, video footage, digital photographs, Tweets, blog posts - frequently making a vital contribution to news coverage. Drawing on a wide range of examples to illustrate his argument, Allan considers citizen witnessing as a public service, showing how it can help to reinvigorate journalism`s responsibilities within democratic cultures. This book is required reading for all students of journalism, digital media and society.
In: Issues in cultural and media studies
In: Digital war, Band 1, Heft 1-3, S. 131-137
ISSN: 2662-1983
In: The international journal of press, politics, Band 24, Heft 4, S. 553-556
ISSN: 1940-1620
In: Media, war & conflict, Band 11, Heft 1, S. 172-174
ISSN: 1750-6360
In: Scotland, Empire and Decolonisation in the Twentieth Century, S. 131-154
In: European journal of communication, Band 29, Heft 5, S. 628-631
ISSN: 1460-3705
In: Media, war & conflict, Band 7, Heft 2, S. 133-151
ISSN: 1750-6360
The importance of bearing witness to what is transpiring in harrowing circumstances is a lynchpin of war and conflict reporting. More often than not in recent years, however, the person first on the scene with a camera has been an ordinary citizen, if not one of the combatants themselves. Accordingly, this article explores a number of pressing questions confronting news photographers – both professionals of the craft and bystanders offering improvised contributions to newsmaking – committed to relaying what they see unfolding before them, however disturbing it may be. More specifically, the discussion focuses on two crisis events recurrently characterised as 'terror attacks' in the US and British press: the bombing of the Boston marathon in April 2013, and the killing of a British soldier in Woolwich, southeast London, the following month. Drawing on a visual analysis of the photo-reportage of these attacks, the author examines diverse forms of citizen witnessing and their potential to reinvigorate photojournalism's social contract to document conflicting truths.
In: The international journal of press, politics, Band 19, Heft 3, S. 383-385
ISSN: 1940-1620