Projecting the Modern Colonial State: The Mobile Cinema in Kenya
In: Film and the End of Empire, S. 199-223
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In: Film and the End of Empire, S. 199-223
In: The Oxford History of the British Empire: Volume V: Historiography, S. 500-512
In: African affairs: the journal of the Royal African Society, Band 86, Heft 342, S. 117-117
ISSN: 1468-2621
In: Yale historical publications / Miscellany, 136
World Affairs Online
In: African economic history, Heft 20, S. 178
ISSN: 2163-9108
In: African economic history, Heft 19, S. 193
ISSN: 2163-9108
In: African economic history, Heft 18, S. 117
ISSN: 2163-9108
"Genealogy of William Roane and Mary Upshur" : p. 301-303. ; Mode of access: Internet.
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This cutting-edge volume is the first to address the burgeoning interest in drugs and Africa among scholars, policymakers, and the general public. It brings together an interdisciplinary group of leading academics and practitioners to explore the use, trade, production, and control of mind-altering substances on the continent
In: Labour / Le Travail, Band 34, S. 365
Africa has very recently emerged as a focal point of the global "War on Drugs," as international drug control agencies warn of the continent's growing role as a distribution hub for cocaine and heroin, while also lamenting the prevalence of cannabis and alcohol commerce and use, especially among African youths. Both illegal drugs and legal substances such as alcohol are increasingly tied to broader economic and public health issues including unemployment, criminality, family disintegration, and HIV infection. Notwithstanding this growing alarm, there is relatively little serious scholarship addressing the issue of drugs in Africa. This cutting-edge volume is the first to address the burgeoning interest in drugs and Africa among scholars, policymakers, and the general public: no other book offers an Africa-wide analysis of the subject. It brings together an interdisciplinary group of leading academics and practitioners to explore the use, trade, production, and control of mind-altering substances on the continent, from heroin and cannabis to alcohol and khat. In particular, it examines the tension between integrative social practices and socially disruptive vices, revealing these categories to be largely arbitrary and tools of social control
In: Exeter Studies in Film History
This book analyses the diverse historical and geographical circumstances in which audiences have viewed American cinema. It looks at cinema audiences ranging from Manhattan nickelodeons to the modern suburban megaplex, and from provincial, small-town or rural America to the shanty towns of South Africa