Anthropology of Cultural Transformation I: Togetherness and Separation
In: China Perspectives Series
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In: China Perspectives Series
In: China Academic Library
In: Springer eBooks
In: Social Sciences
In: Post-contemporary interventions
Introduction: The cultural politics of postsocialism -- Part I. Intellectual discourse: national and global determinations -- The return of the politcal: the making of the post-Tiananmen intellectual field -- Nationalism, mass culture, and intellectual strategies in the 1990's -- Postmodernism and postsocialist society: cultural politics after the "New Era" -- Part II. Literary discourse: narrative possibilities of postsocialism -- Shanghai nostalgia: mourning and allegory in Wang Anyi's literary production in the 1990's -- Toward a critical iconography: Shanghai, "minor literature," and the unmaking of a modern Chinese mythology -- "Demonic realism" and the "socialist market economy": language game, natural history, and social allegory in Mo Yan's The republic of wine -- Part III. Cinematic discourse: universality, singularity, and the everyday world -- National trauma, global allegory: construction of collective memory in Tian Zhuangzhuang's The blue kite -- Narrative, culture, and legitimacy: repetition and singularity in Zhang Yimou's The story of Qiu Ju
World Affairs Online
In: Telos: critical theory of the contemporary, Band 2022, Heft 199, S. 20-34
ISSN: 1940-459X
In: Journal of Chinese humanities, Band 7, Heft 1-2, S. 4-22
ISSN: 2352-1341
Abstract
Mohism and Confucianism are usually characterized as utilitarian and anti-utilitarian, respectively. This article argues that although Confucians do not espouse the kind of utilitarianism found in the Mozi, both Confucianism and Mohism qualify as forms of consequentialism in emphasizing that the outcome of a given behavior or action constitutes the basis for determining whether the latter qualifies as morally good. Through an analysis of the classical texts of the Analects and the Mengzi, I demonstrate that the similarities between the Confucian and Mohist perspectives on yi 義 and li 利 are much greater than their supposed differences, which have generally been taken for granted. Like Mohism, Confucianism upholds what we might call a "deliberated utilitarianism."
In: Moscow University Bulletin. Series 4. Geology, Heft 1, S. 28-36
The Xishimen skarn iron deposit was confined to a deep fault and locates at the contact of small intrusions of monzodiorites with Pz–Mz carbonate rocks. It is represented by several banding and lenticular forms. The formation of ores is associated with the recycling processes of ore matter. The process proceeded in several stages. Primary sedimentary and volcanogenic-sedimentary ores were formed in Ar–Prt1 time. Then followed several stages of tectonic-magmatic activation, among which the most significant was Anshan stage (Jurassic-Cretaceous). Monzodiorite magma in the process of recycling was enriched by siderophilic elements of early Precambrian and formed a series of Fe deposits in the zone of deep faults.
In: Social sciences in China, Band 40, Heft 1, S. 171-185
ISSN: 1940-5952
In: The American economist: journal of the International Honor Society in Economics, Omicron Delta Epsilon, Band 62, Heft 2, S. 258-267
ISSN: 2328-1235
In: Research Policy, Band 43, Heft 3, S. 597-607
In: China: CIJ ; an international journal, Band 11, Heft 3, S. 24-47
ISSN: 0219-8614
In: China: CIJ ; an international journal, Band 11, Heft 3, S. 24-47
ISSN: 0219-7472
In 2006, China decided to change its technology policy from relying mainly on technology transfer from developed countries to focusing on indigenous innovation. This article analyses the effectiveness of this policy change by studying the achievements of indigenous innovation and the mechanisms governing indigenous innovation in four industries. Government policy and strategy implications for firms are also discussed. (China/GIGA)
World Affairs Online
In: Nanotechnology for the Energy Challenge, S. 89-132
In: Social sciences in China, Band 32, Heft 3, S. 62-73
ISSN: 1940-5952
In: Novos estudos CEBRAP, Heft 89, S. 71-87
ISSN: 1980-5403
Os filmes de Jia Zhangke oferecem retratos das transformações sociais e econômicas ocorridas na China, do ponto de vista das ruas e à margem dos grandes centros. O artigo explora os temas do desaparecimento, demolição e deslocamento na obra do diretor chinês.