Suchergebnisse

This article presents a close reading of gothic features in Simone Atangana Bekono's novella Zo hoog de zon stond ('As high as the sun stood', 2022). This analysis serves as a way to comment on recent academic debates about the end, or ends, of critical theory, more specifically about ways of reading: surface reading or symptomatic reading. Supporting Esther Peeren's recent plea for a return to symptomatic reading, I argue that a clearcut opposition between surface and depth is untenable.

In this essay I address the popular notion that reading literature is a way to gain empathy through identification. Using the relatively new phenomenon of the lesbian mother as an example, I ask through which cultural repertoires lesbian mothers are made visible, which subject positions are available for them, and which identificatory positions are made available to readers. I explore a number of representations of lesbian mothers from comics, TV-series, films and Dutch children's books. Depending on whether the lesbian mother is initially presented as a lesbian or as a mother, and depending on the context, a different coming out process is at stake: either she has to come out as a(n aspiring) mother; or she has to come out as a lesbian.