Suchergebnisse

The article addresses the issue on the determination of ways to improve the legal regulation for contractual relations of purchasing private property for public needs, based on the European experience in regulating expropriation. To achieve it, general and special methods of scientific knowledge have been used, including system-structural, structural-logical, comparative-legal, deduction, induction, analysis, synthesis, etc. The necessity of appreciation of the European experience of legal regulation of expropriation to optimize Ukrainian legislation in this area is emphasized. The article establishes the issue concerning the sameness of two legal tools, namely the contract of purchase of private property for public needs under Ukrainian law, as a general idea, which is now implemented through civil law agreements, and the expropriation agreement in several European states (Germany, Switzerland, and Liechtenstein). The advisability of expropriation agreement implementation into legislation and legal practice is substantiated; in this regard, expropriation agreement is considered as the special contract destined exclusively for regulation of purchase of private property for public needs. The author also suggests applying European approch to entitling the contract of purchasing of private property for public needs and identifying its terms; Expropriation Contract as a title is proposed. The article highlights the advantages of Expropriation Contract as a title. The amendments to the Law of Ukraine "On the alienation of land and other real estate located on them, which are in private ownership, for public needs or for reasons of public necessity" according to European experience and author's examination are proposed. The author also recommends to change the name of the purchasing procedure to the procedure for voluntary expropriation (or voluntary alienation of private property for public needs).

The purpose of the article is to study the activities of festivals of spiritual songs in the context of the development of the musical culture of Ukraine in the late twentieth – early twentieth century. The methodology is based on historical and culturological approaches. A systematic method is also used to characterize festivals of the Orthodox music tradition in their connection with other components of culture; socio-cultural method – in the study of socio-cultural components of the artistic phenomenon of the festival. The scientific novelty of the work is that for the first time the activity of festivals of Orthodox sacred music as a new phenomenon in the musical culture of Ukraine is comprehensively analyzed. Conclusions. The emergence and active functioning of festivals of spiritual songs is one of the leading trends in the development of Orthodox musical culture in Ukraine. The ideological direction of the festivals is primarily of religious content, and, in addition to overcoming the negative trends in the field of culture, their leading function is the revival of orthodox traditions. Festivals of sacred music in Ukraine currently perform two main functions: educational and cultural. They contribute to the revival of the traditions of orthodox musical culture; demonstrate the traditions of orthodoxy in modern socio-cultural conditions; revive centuries-old traditions of spiritual choral singing of Ukraine; revive centuries-old traditions of spiritual choral singing of Ukraine.

The article polemically examines some fundamental issues, investigated by S.N. Baburin in the monograph "The Moral State: Russian view of the values of constitutionalism". Among them: the principle of objectivity in science, the concepts of morality and justice, the forms of popular control. The civilitarian theory of state and law is discussed. The necessity of building an essentially new formation of society based on the dominance of spiritual values over material values and the need to transition to direct democracy is substantiated. The ways of transition to a society of creative formation are considered

Мета дослідження. Розглянути процес становлення та деталізувати маловідомі факти з історії розвитку театральної культури Запоріжжя періоду радянської влади. Методологія дослідження полягає в застосуванні джерелознавчого методу, культурологічного та історичного підходів. Наукова новизна дослідження. Вперше проаналізовано процес становлення та особливості розвитку театральної культури Запоріжжя періоду радянської влади. Введено до наукового обігу архівні матеріали, які збагачують знання про різнобічні аспекти розвитку театральної культури регіону. Висновки. Процес становлення театральної культури Запорізького регіону розпочався з діяльності аматорських театральних осередків, які виникають на початку XXст. З 30-хрр. XX ст. відбувався процес розгалуження театральної культури регіону на професійну та аматорську. Незважаючи на значну політичну заангажованість культурно-мистецької галузі, саме у досліджуваний історичний період театральне мистецтво набуває широкої популярності і масовості. Матеріал статті може стати основою для подальших досліджень у галузі вивчення театральної культури регіону та збагатити історію театральної культури України новим фактологічним матеріалом. ; Цель исследования. Рассмотреть процесс становления и детализировать малоизвестные факты из истории развития театральной культуры Запорожья периода советской власти. Методология исследования заключается в применении метода источниковедческого анализа, культурологического и исторического подходов. Научная новизна исследования. Впервые проанализирован процесс становления и особенности развития театральной культуры Запорожья периода советской власти. Введены в научный оборот архивные материалы, которые обогащают знания о разных аспектах развития театральной культуры региона. Выводы. Процесс становления театральной культуры Запорожского региона начался с деятельности любительских театральных объединений в начале XX в. С 30-х гг. XX в. происходил процесс разветвления театральной культуры региона на профессиональную и любительскую. Несмотря на значительную политическую заангажированностъ отрасли культуры, именно в исследуемый период театральное искусство приобретает широкую популярность и массовость. Материал статьи может стать основой для дальнейших исследований в области изучения театральной культуры региона и обогатить историю театральной культуры Украины новым фактологическим материалом. ; Purpose of Article. To consider the process of establishing and detailing little-known facts from the history of Zaporizhzhya theatrical culture development within the chronology of the Soviet period. Methodology. The methodology of the research consists in applying the method of source study analysis, cultural and historical approaches. Scientific Novelty. For the first time analyzed the process of formation and development of the dramatic culture of Zaporizhzhya of the Soviet period. Introduced into the scientific circulation of archival materials that enrich the knowledge about the different aspects of the development of theatrical culture of the region. Conclusions. The process of formation of the theatre of the Zaporizhzhya region began with amateur theatre associations in the early twentieth century. Within the 30s of the XX century, there was a process of branching of the theatrical culture of the region on the professional and amateur. Despite the considerable political involvement of the cultural sector in the study period, the theatrical art is increasingly popular and mass. The material of the article is a profound basis for further researches in the field of the study of the theatrical culture of the region and enrich the history of the national theatrical culture of new factual material.

Looks at President Obama's recent trip to Russia and its implications and possibilities for a warmer Russian-American relationship, from both perspectives. Notes Russian growth of authoritarianism, a fear for many Americans, as well as American quick-fixes and hollow statements from previous American presidents, two grave points of distrust for Russians. Furthermore, the harkening back to a time in the past, the famous reset button, which has been explicitly requested by Hillary Clinton, is simply insufficient. For many of these reasons, Russians were tepid in their response to Obama, particularly in an absence of concessions on America's stance on Georgia and European missile defence. These exemplify the Russian view that American presidents offer little more than hot air in their treatment of Russian interests. Sees a great need for change in relations between the two nations, with little change likely to occur save for an event or series of events that necessitate such change. Adapted from the source document.