Tradition through modernity: postmodernism and the nation-state in folklore scholarship
In: Studia Fennica
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In: Studia Fennica
In: Studia Fennica Folkloristica
"In their study of social practices deemed traditional, scholars tend to use the concept and idea of tradition as an element of meaning in the practices under investigation. But just whose meaning is it? Is it a meaning generated by those who study tradition or those whose traditions are being studied? In both cases, particular criteria for traditionality are employed, whether these are explicated or not. Individuals and groups will no doubt continue to uphold their traditional practices or refer to their practices as traditional. While they are in no way obliged to explicate in analytical terms their criteria for traditionality, the same cannot be said for those who make the study of traditions their profession. In scholarly analysis, traditions need to be explained instead of used as explanations for apparent repetitions and replications or symbolic linking in social practice, values, history, and heritage politics. This book takes a closer look at 'tradition' and 'folklore' in order to conceptualize them within discourses on modernity and modernism. The first section discusses 'modern' and 'traditional' as modern concepts and the study of folklore as a modern trajectory. The underlying tenet here is that non-modernity cannot be represented without modern mediation, which therefore makes the representations of non-modernity epistemologically modern. The second section focuses on the nation-state of Finland and the nationalistic use of folk traditions in the discursive production of Finnish modernity and its Others. The insights are applicable worldwide in discussions on cultural representation. "
The parliamentary elections in Finland in the spring of 2011 shocked the political consensus over the country's participation in the European integration. The populist party called Perussuomalaiset (the Finns Party) won a landslide victory and became the third largest party in the Parliament. This meant that the popular opposition and criticism among the electorate against the European Union has become a political factor that had to be taken seriously by the other parties. The popularity of the Finns Party represents a general trend in today's Europe, but it also draws in significant ways on particular interpretations of Finnish history, nationalism, and identity politics, carrying along sentiments that first emerged and developed in 19th century Fennoman nationalism. For this reason, the Finns Party's opposition to the European integration is not merely an issue of current economic politics but also a question of cultural and political heritage. The paper discusses the role that one of the key nationalist myths in Finland, concerning the killing of a legendary Christian missionary bishop in the 12th century, plays in the argumentation of the party supporters' values. *** Parlamentarne volitve na Finskem spomladi 2011 so pretresle politično soglasje o udeležbi države v evropski integraciji. Populistična stranka Perussuomalaiset (Stranka Fincev) je dosegla prepričljiv uspeh in postala tretja največja parlamentarna stranka. To pomeni, da sta popularno nasprotovanje in kriticizem, usmerjena proti Evropski uniji, postala politični dejavnik, ki ga morajo druge stranke resno upoštevati. Popularnost Stranke Fincev predstavlja splošno težnjo v današnji Evropi, hkrati pa na pomenljiv način vpeljuje posebne interpretacije finske zgodovine, nacionalizma in politik identitete, pri čemer se opira na čustva, ki so vzniknila in se razvila v finskem nacionalizmu 19. stoletja. Zaradi tega je nasprotovanje Stranke Fincev evropski integraciji ne le stvar trenutne gospodarske politike, temveč tudi vprašanje kulturne in politične dediščine. Članek obravnava vlogo enega glavnih nacionalističnih mitov na Finskem, ki se sklicuje na umor legendarnega krščanskega misijonarja škofa Henrika v 12. stoletju in je pomemben za argumentacijo vrednot strankinih podpornikov.
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"In their study of social practices deemed traditional, scholars tend to use the concept and idea of tradition as an element of meaning in the practices under investigation. But just whose meaning is it? Is it a meaning generated by those who study tradition or those whose traditions are being studied? In both cases, particular criteria for traditionality are employed, whether these are explicated or not. Individuals and groups will no doubt continue to uphold their traditional practices or refer to their practices as traditional. While they are in no way obliged to explicate in analytical terms their criteria for traditionality, the same cannot be said for those who make the study of traditions their profession. In scholarly analysis, traditions need to be explained instead of used as explanations for apparent repetitions and replications or symbolic linking in social practice, values, history, and heritage politics. This book takes a closer look at 'tradition' and 'folklore' in order to conceptualize them within discourses on modernity and modernism. The first section discusses 'modern' and 'traditional' as modern concepts and the study of folklore as a modern trajectory. The underlying tenet here is that non-modernity cannot be represented without modern mediation, which therefore makes the representations of non-modernity epistemologically modern. The second section focuses on the nation-state of Finland and the nationalistic use of folk traditions in the discursive production of Finnish modernity and its Others. The insights are applicable worldwide in discussions on cultural representation. "
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