Geisteswissenschaften und Kitsch Zur écriture des Sozialistischen Realismus in der Sowjetunion
In: Kitsch und Nation
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In: Kitsch und Nation
In: Routledge research in gender and history 42
In: Heidelberger Publikationen zur Slavistik Band 38
In: Studien zur kulturellen und literarischen Kommunismusforschung Band 2
This book analyzes the ideology-based reception of Adam Mickiewicz in Communist Poland and of Johann Wolfgang von Goethe in East Germany, the dynamics of that process and the strategies used to exploit the iconic status of the poets for the purpose of reaffirming the legitimacy of the new system. The basic question tackled here concerns the similarities and differences between the Polish and German styles of harnessing poets into the service of politics. These issues are presented in view of the cultural and political life, i.e. public appearances by prominent politicians and culture activists, Marxist history of literature and literary worksthat ennobled Mickiewicz and Goethe in a hagiographic manner. --
In: Gender Studies
Wie sind die neuesten Entwicklungen der Gender Studies vor dem Hintergrund ihrer Historie zu bewerten? Die Beiträger*innen des Bandes diskutieren diese Fragestellung in drei thematischen Blöcken und einem Prolog und stellen dabei das Potential der Disziplin heraus: Biographische Rückblicke treffen auf politische Ansätze und künstlerische Interventionen. Die einzelnen Beiträge entsprechen Schlaglichtern, die sowohl Dis- als auch Kontinuitäten der Diskurse beleuchten. Die hier entstehenden Synergieeffekte bestätigen die Notwendigkeit eines entgrenzenden Dialogs im Fach, sowohl transdisziplinär als auch transnational
In: Routledge studies in cultural history
"The Afterlife of the Shoah in Central and Eastern European Cultures is a collection of essays by literary scholars from Germany and Central Eastern Europe offering insight into the specific ways of representing the Shoah and its aftereffects as well as its entanglement with other catastrophic events in the region. Introducing the conceptual frame of postcatastrophe, the collected essays explore the discursive and artistic space the Shoah occupies in the countries between Moscow and Berlin. Postcatastrophe is informed by the knowledge of other concepts of "post" and shares their insight into forms of transmission and latency; in contrast to them, explores the after-effects of extreme events on a collective, aesthetic, and political rather than a personal level. The articles use the concept of postcatastrophe as a key to understanding the entangled and conflicted cultures of remembrance in postsocialist literatures and the arts dealing with events, phenomena and developments that refuse to remain in the past and still continue to shape perceptions of today's societies in Eastern Europe. As a contribution to memory studies as well as to literary criticism with a special focus on Shoah remembrance after socialism, this book is of great interest to students and scholars of European history, and those interested in historical memory more broadly"--