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Communication Technology and Social Change is a distinctive collection that provides current theoretical, empirical, and legal analyses for a broader understanding of the dynamic influences of communication technology on social change. With a distinguished panel of contributors, the volume presents a systematic discussion of the role communication technology plays in shaping social, political, and economic influences in society within specific domains and settings

Abstract
The present study examines the assumption that online users would be influenced by widely reported privacy threats; namely, that public servants might monitor personal online communications between instant messenger users, and compel the Korean domestic social network service (SNS) providers to cooperate with their surveillance efforts. Utilizing uses and gratifications (U&G) theory, we integrate previous research on government surveillance, privacy concern, and motivation variables regarding SNS use. A survey of South Korean users reveals that privacy concern is mediating the relationship between governmental online surveillance and SNS switching intention. Structural equation modeling results suggest that SNS switching intention is predicted positively by interaction motivation and negatively by convenience motivation. Privacy concern mediates the relationship between governmental online surveillance and SNS switching intention. These findings illustrate the measures that users take in response to telecommunication policy actions, particularly those that might logically pose a threat to online privacy. Study findings thus help provide support for a novel theoretical framework that illustrates the utility of media U/G variables in the context of online privacy conceptions stemming from perceived threats of online government surveillance. We conclude by discussing implications for policymakers stemming from user remedies to circumvent state surveillance initiatives.

Abstract
The present study examines the assumption that online users would be influenced by widely reported privacy threats; namely, that public servants might monitor personal online communications between instant messenger users, and compel the Korean domestic social network service (SNS) providers to cooperate with their surveillance efforts. Utilizing uses and gratifications (U&G) theory, we integrate previous research on government surveillance, privacy concern, and motivation variables regarding SNS use. A survey of South Korean users reveals that privacy concern is mediating the relationship between governmental online surveillance and SNS switching intention. Structural equation modeling results suggest that SNS switching intention is predicted positively by interaction motivation and negatively by convenience motivation. Privacy concern mediates the relationship between governmental online surveillance and SNS switching intention. These findings illustrate the measures that users take in response to telecommunication policy actions, particularly those that might logically pose a threat to online privacy. Study findings thus help provide support for a novel theoretical framework that illustrates the utility of media U/G variables in the context of online privacy conceptions stemming from perceived threats of online government surveillance. We conclude by discussing implications for policymakers stemming from user remedies to circumvent state surveillance initiatives.

This study examines the effects of online anonymity and different sources of social influence on the Spiral of Silence phenomenon in online news discussions about abortion. The results ( N = 339) substantiated that technical anonymity predicts one's perceived anonymity, but only the latter significantly increases one's willingness to post personal opinions in the comment sections. Perceived support from other commenters was also found to reduce the online Spiral of Silence phenomenon. With fear of isolation, moreover, the state-based approach is verified to be more robust than the trait-like approach, advancing Noelle-Neumann's original conceptualization. Study findings thus offer support for a more comprehensive conceptualization of Spiral of Silence components operating in online contexts.

"This volume bridges the divide between film and media studies scholarship by exploring audience expectations of film and TV genre in the age of digital streaming, using qualitative thematic and quantitative data-driven analyses. Through four ground-breaking surveys of audience members and content creators, the authors have empirically determined what audiences expect of various genres, the extent to which these definitions match those of scholars and critics, and the overall variation and complexity of audience expectations in the age of media abundance. They also examine audience habits and preferences, drawing from both theory and original empirical analyses, with a view toward the implications for the moving image in a rapidly changing media environment. The book draws from the data to develop a number of new concepts, including genre repertoire, genre hybridity, audience interest maximization and variety seeking, and a new stage of genre development, genre bending. An ideal resource for students and scholars interested in the symbiotic relationship between audiences and the moving image products they consume, as well as the way the current digital media environment has impacted our understanding of film and TV genres"--

"This volume bridges the divide between film and media studies scholarship by exploring audience expectations of film and TV genre in the age of digital streaming, using qualitative thematic and quantitative data-driven analyses. Through four ground-breaking surveys of audience members and content creators, the authors have empirically determined what audiences expect of various genres, the extent to which these definitions match those of scholars and critics, and the overall variation and complexity of audience expectations in the age of media abundance. They also examine audience habits and preferences, drawing from both theory and original empirical analyses, with a view toward the implications for the moving image in a rapidly changing media environment. The book draws from the data to develop a number of new concepts, including genre repertoire, genre hybridity, audience interest maximization and variety seeking, and a new stage of genre development, genre bending. An ideal resource for students and scholars interested in the symbiotic relationship between audiences and the moving image products they consume, as well as the way the current digital media environment has impacted our understanding of film and TV genres"--