Science Fiction by, about, and for Arabs: Case Studies in De-Orientalising the Western Imagination
In: ReOrient: the journal of critical Muslim studies, Band 6, Heft 1
ISSN: 2055-561X
Orientalism is a much maligned concept. While geared to the service of the
Western colonial sense of superiority, Orientalism is, at base, a loose set of
symbols and motifs that is more geared towards an introspective critique of the
West itself. It represents certain internal antagonisms and Western
anxieties that emerge in confrontations with the East over
gender and sexuality. This becomes evident when it comes to Western science
fiction (written and filmed) among other popular genres and specifically when
applied to Arabs and Muslims (the "classical" East). Hitherto, most literature
on the Orientalism evident in Western SF has focused on the Far East, via
Techno-Orientalism and Cyber-Punk. The growing strength of Arab and Muslim SF,
however, can counter these Orientalist tendencies in the genre; taking Egyptian
SF as a test case. Western SF, moreover, can set its own house in order in the
meantime, since SF allows for symbolic substitutes to existential threats
traditionally posed by the East in the Western imagination.