Suchergebnisse

Cover -- Half-title page -- Title page -- Copyright page -- Contents -- Figures -- Preface -- Introduction -- Where or what is the public sphere? -- Spectators, audiences and the public sphere -- Performance and the public sphere -- Chapter 1 Locating the theatrical public sphere -- From public to private -- Towards an agonistic public sphere -- Acting the truth: parrhêsia -- Protest and intervention -- Institutional matrices -- Chapter 2 Reciprocal articulations: from playbills to blogs -- The playbill and its publics -- Enter the public -- Reciprocal circuits -- The media of criticism.

We are currently living in a time of postponement. The disruptions caused by the Corona pandemic have also affected the journal as all schedules of all contributors were suddenly rearranged. With some delay we are pleased to present the current number of the journal. It comprises three contributions, two of which touch on Augusto Boal's global theatre movement, the Theatre of the Oppressed (TO). Any study of theatre in a globalized context must engage with Boal and his seminal influence on both political and applied theatre.