Suchergebnisse

The Arctic is warming at a rate of at least twice the global average. With this rapid warming, permafrost, or permanently frozen ground, is thawing. When permafrost thaws, the organic matter inside begins to break down and releases carbon dioxide and methane, the latter about 86 times more potent than carbon dioxide, as a greenhouse gas over a 20-year period. One of the most visible signs of thawing permafrost is 'drunken forest'--trees leaning at odd angles as they lose their footing in the unstable soil. In Nov 2007, large areas of drunken forest were spreading near Nelemonoye, a Yukaghir community along the upper Kolyma River in the Sakha Republic. Thawing of terrestrial permafrost also has major impact on ecology, hydrology, and human infrastructures, as homes, buildings, roads, and runways can collapse as the ground underneath begins to buckle. Here, Banerjee looks at the 'circumpolar north' in its new, ever-warmer configurations. Adapted from the source document.

"International in scope, this volume brings together leading and emerging voices working at the intersection of contemporary art, visual culture, activism, and climate change, and addresses key questions, such as: why and how do art and visual culture, their ethics and values, matter with regard to a world increasingly shaped by climate breakdown? Foregrounding a decolonial and climate-justice based approach, this book joins efforts within the environmental humanities in seeking to widen considerations of climate change as it intersects with social, political, and cultural realms. It simultaneously expands the nascent branches of ecocritical art history and visual culture, and builds toward the advancement of a robust and critical interdisciplinarity appropriate to the complex entanglements of climate change. This book will be of special interest to scholars and practitioners of contemporary art and visual culture, environmental studies, cultural geography, and political ecology"--

"International in scope, this volume brings together leading and emerging voices working at the intersection of contemporary art, visual culture, activism, and climate change, and addresses key questions, such as: why and how do art and visual culture, their ethics and values, matter with regard to a world increasingly shaped by climate breakdown? Foregrounding a decolonial and climate-justice based approach, this book joins efforts within the environmental humanities in seeking to widen considerations of climate change as it intersects with social, political, and cultural realms. It simultaneously expands the nascent branches of ecocritical art history and visual culture, and builds toward the advancement of a robust and critical interdisciplinarity appropriate to the complex entanglements of climate change. This book will be of special interest to scholars and practitioners of contemporary art and visual culture, environmental studies, cultural geography, and political ecology"--

This book is about staying together, living together, the dynamics and poetics of togetherness. It demonstrates, through a strong investment in nature studies, non-human studies, and nature culture and cohabitative readings, a commitment to interconnectedness.

Frontmatter -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- Alaska and Its People: An Introduction -- I Portraits of Nations: Telling Our Own Story -- Lazeni 'linn Nataełde Ghadghaande: When Russians Were Killed at "Roasted Salmon Place" (Batzulnetas) -- The Fur Rush: A Chronicle of Colonial Life -- Redefining Our Planning Traditions: Caribou Fences, Community, and the Neetsaii Experience -- Memories of My Trap Line -- Cultural Identity through Yupiaq Narrative -- Dena'ina Ełnena: Dena'ina Country: The Dena'ina in Anchorage, Alaska -- Qaneryaramta Egmiucia: Continuing Our Language -- Deg Xinag Oral Traditions: Reconnecting Indigenous Language and Education through Traditional Narratives -- The Alaskan Haida Language Today: Reasons for Hope -- II Empire: Processing Colonization -- Yuuyaraq: The Way of the Human Being -- Angoon Remembers: The Religious Significance of Balance and Reciprocity -- The Comity Agreement: Missionization of Alaska Native People -- Dena'ina Heritage and Representation in Anchorage: A Collaborative Project -- How It Feels to Have Your History Stolen -- Undermining Our Tribal Governments: The Stripping of Land, Resources, and Rights from Alaska Native Nations -- Terra Incognita: Communities and Resource Wars -- Why the Natives of Alaska Have a Land Claim -- A Brief History of Native Solidarity -- III Worldviews: Alaska Native and Indigenous Epistemologies -- A Yupiaq Worldview: A Pathway to Ecology and Spirit -- The Cosmos: Indigenous Perspectives -- Seeing Mathematics with Indian Eyes -- What Is Truth? Where Western Science and Traditional Knowledge Converge -- The Yup'ik and Cup'ik People -- IV Native Arts: A Weaving of Melody and Color -- Ugiuvangmiut Illugiit Atuut: Teasing Cousins Songs of the King Island Iñupiat -- fly by night mythology: An Indigenous Guide to White Man, or How to Stay Sane When the World Makes No Sense -- Kodiak Masks: A Personal Odyssey -- Artifacts in Sound: A Century of Field Recordings of Alaska Natives -- Digital Media as a Means of Self Discovery: Identity Affirmations in Modern Technology -- America's Wretched -- The Alaska Native Arts Festival -- Conflict and Counter-Myth in the Film Smoke Signals -- Alaska Native Literature: An Updated Introduction -- V Ravenstales -- Poems -- Poem -- Living in the Arctic -- Tunnel? . . . What Tunnel? -- Daisy's Best-Ever Moose Stew -- Suggestions for Further Reading -- Acknowledgment of Copyrights -- Index