Suchergebnisse

1. Becoming Black: An Introduction to Immigrant Generations, Media Representations, and Audiences -- Part I: Representation: Foreign Realities Onscreen -- 2. Stages of Being Foreign as Portrayed in The Citizen and Moscow on the Hudson -- 3. First-generation Korean American Women's Mobility: Intersections of Ethnicity/Race, Class, and Gender -- 4. "Then We Show Ourselves": Resisting Immigration in Party of Five Reboot -- 5. Contested Citizenship: The Representation of Latinx Immigration Narratives in Jane the Virgin and One Day at a Time -- 6. Immigrants Make America Great: A Textual Analysis of Bob Hearts Abishola -- Part II: Content Creation: Industry Concerns and Constraints -- 7. Ambivalence and Contradiction in Digital Distribution: How Corporate Branding and Marketing Dilute the Lived Experiences in Ramy -- 8. Un Puente a la Mesa: The Role of Cultural Translators in the Production of Disney/Pixar's Coco -- Part III: Audience Reflections and Responses -- 9. Yvonne Orji's Docuseries, First Gen: First-Generational Narratives and the Impact on Audiences' Community Cultural Wealth -- 10. Am I an All-American Girl? An Autocritography of Ethnicity, Gender, and Acculturation via Margaret Cho's All-American Girl (1994–1995) -- 11. Between a Banana and a Coconut: Reflections on Being Second-Generation American on the Periphery -- 12. Language, Telenovelas, and Citizenship: A Mexican Immigrant's Exploration of First-Generation American Narratives in Jane The Virgin -- 13. Mixing and Re-making: The Identity of Second-Generation Bangladeshis in the United States -- 14. Strega Nona: The Spell On Identities -- 15. Rebuilding the American Dream.

Entertainment consumption is often shared with others, whether friends or strangers. Whereas most co-viewing scholarship has examined parent–child viewing, few have examined viewing among in-group and out-group members. The present study explores in-group and out-group responses to racial comedy featuring disparaging information about the in-group. Findings suggest that Blacks report a more positive attitude, greater perceived similarity, and identification when viewing racially charged comedy with Black in-group members than when viewing with White out-group members. White viewers display no differences in their responses to television comedy based on whether they were viewing with in-group members or out-group members. Implications are discussed.