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"Looking at a range of global historical experiences, Arms and the People examines the relationship between mass movements and military institutions. Some argue that it is impossible to achieve and protect a revolution without the support of the army, but how can the support of the army be won? Arms and the People explores the impact of profound social polarisation on the internal cohesion of the state's 'armed bodies of men' and on the contested loyalties of soldiers. The different contributors examine a series of historical moments in which a crisis in the military institution has reflected a deeper social crisis which has penetrated that institution and threatened to disable it. With a range of international contributors who have either studied or been directly involved in such social upheavals, Arms and the People is a pioneering contribution to the study of revolutionary change and will appeal to students and academics in history, politics and sociology."--Publisher's website

This collection examines the relationship between mass movements and the military. Some argue that it is impossible to achieve and protect a revolution without the support of the army, but how can the support of the army be won? Arms and the People explores the impact of social extremes on the solidarity within the state's military, and on the changing loyalties of these soldiers. The authors examine a series of historical moments in which a crisis in the military has reflected deep instability in the wider world, including Russia in 1917, Egypt during the Arab Spring, the Paris Commune, as well as long-standing instability in Venezuela and Indonesia, amongst many others. Including a range of international authors who have either studied or been directly involved in such social upheavals, Arms and the People is a pioneering contribution to the study of revolutionary change.

What do we think of when we think of literary critics? Enlightenment snobs in powdered wigs? Professional experts? Cloistered academics? Through the end of the 20th century, book review columns and literary magazines held onto an evolving but stable critical paradigm, premised on expertise, objectivity, and carefully measured response. And then the Internet happened. From the editors of Review 31 and 3:AM Magazine, The Digital Critic brings together a diverse group of perspectives—early-adopters, Internet skeptics, bloggers, novelists, editors, and others—to address the future of literature and scholarship in a world of Facebook likes, Twitter wars, and Amazon book reviews. It takes stock of the so-called Literary Internet up to the present moment, and considers the future of criticism: its promise, its threats of decline, and its mutation, perhaps, into something else entirely. With contributions from Robert Barry, Russell Bennetts, Michael Bhaskar, Louis Bury, Lauren Elkin, Scott Esposito, Marc Farrant, Orit Gat, Thea Hawlin, Ellen Jones, Anna Kiernan, Luke Neima, Will Self, Jonathon Sturgeon, Sara Veale, Laura Waddell, and Joanna Walsh.