"The House of the Dead is a history of Siberia with a focus on the last four tsars (1801-1917). Daniel Beer explores the massive penal colony that became an incubator for the radicalism of revolutionaries who would one day rule Russia"--Provided by publisher
This is a comparative investigation of late imperial and early Soviet medico-scientific theories of moral and social disorder. Beer shows how liberal programmes of scientific social engineering developed in the imperial period meshed with the radical project of Bolshevism
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The article examines arrest protocols drawn up from the mid-1870s to the mid-1880s by local policemen investigating thousands of individuals denounced to the authorities for having voiced criticisms of the monarchy and approval of the campaign of terror in the reign of Alexander II. The discussion proceeds in two stages. It first argues that the arrest protocols constitute grounds for a revisionist challenge to the existing historiography which charts enduring, if gradually declining, popular support for the monarchy in the final decades of tsarism. It then argues for a reappraisal of the efforts by revolutionaries in the reign of Alexander II to destroy the sanctity of the autocracy through the use of "propaganda by the deed." The campaign to assassinate the tsar emerges in the arrest protocols as an effective form of political messaging that gained real purchase in the popular imagination. It prompted lower-class Russians to articulate their own local grievances in terms of popular sovereignty, natural justice and political accountability.
In May 1828 the authorities in eastern Siberia uncovered plans, hatched by the Decembrist Ivan Sukhinov, to stage an armed rebellion among the penal laborers of the Nerchinsk mines. Sukhinov was planning to march on Chita in order to liberate his fellow Decembrists from captivity. Found guilty of the charges, the ringleaders were executed and Sukhinov committed suicide. Yet the conspiracy was a fantasy, conjured into being by the chaotic conditions of penal labor and official fears of exiled revolutionaries directing insurgencies in Siberia. The state's destruction of Sukhinov and his alleged co-conspirators created the fictional memory of a revolutionary hero and a noble, if doomed, rebellion. In their memoirs published in the postreform era, the Decembrists offered contemporaries an inspiring tale of insurgency and martyrdom in Siberia. The "Zerentui conspiracy" articulated new possibilities of revolutionary protest in exile