Einzelrezensionen - Über die trockene Grenze und über das offene Meer (Messerschmidt)
In: Neue politische Literatur: Berichte aus Geschichts- und Politikwissenschaft ; (NPL), Band 50, Heft 3, S. 481
ISSN: 0028-3320
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In: Neue politische Literatur: Berichte aus Geschichts- und Politikwissenschaft ; (NPL), Band 50, Heft 3, S. 481
ISSN: 0028-3320
In: Revue internationale de la Croix-Rouge: débat humanitaire, droit, politiques, action = International Review of the Red Cross, Band 43, Heft 506, S. 95-101
ISSN: 1607-5889
In: The Economic Journal, Band 23, Heft 90, S. 276
In: International Geology Review, Band 30, Heft 3, S. 243-256
In: International Geology Review, Band 29, Heft 2, S. 218-233
In: International Geology Review, Band 26, Heft 7, S. 765-778
In: International Geology Review, Band 26, Heft 3, S. 262-288
In: International Geology Review, Band 26, Heft 10, S. 1119-1146
In: The economic history review, Band 22, Heft 2, S. 344
ISSN: 1468-0289
In: The economic history review, Band 13, Heft 1/2, S. 137
ISSN: 1468-0289
In: The Economic Journal, Band 50, Heft 198/199, S. 264
In: Waste management: international journal of integrated waste management, science and technology, Band 46, S. 619-627
ISSN: 1879-2456
In: Waste management: international journal of integrated waste management, science and technology, Band 34, Heft 11, S. 2373-2381
ISSN: 1879-2456
In: http://opencontent.uct.ac.za/Humanities/The-Theatre-of-Violence-Narratives-of-protagonists-in-the-South-African-conflict
While many accounts have focused on the victims of state repression, this unique volume documents the often contradictory and confusing stories of those who acknowledge having committed some dreadful deeds. Individuals on various sides of the apartheid divide, from state security structures to the ANC, PAC and grassroots, activists, tell their own stories. The central focus is to give an account of the actions of the perpetrators, here depicted as competing protagonists in an arena of violence. It examines the violence forensically, through its public and popular representations, academically and, finally, through the narrative approach, drawing on a rich analysis of stories from different sides. The authors also offer the first critical examination of the TRC's amnesty process, show how media representations of perpetrators inform public perceptions, and scrutinise international scholarly writings on the issue of political violence. Suggestive and intriguing, The Theatre of Violence opens a fresh examination of the erstwhile taken-for-granted understandings and attempts to address a range of questions that are often not considered, and perhaps cannot be considered, in a dispassionate way. It is in many ways an optimistic study, holding out the possibility of a society that can understand and take steps to minimise the perpetration of gross violations of human rights.
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