Suchergebnisse

This investigatative paper reveals the research steps of Rytis Beiga Costume design master's degree programme. The research is developed by three aspcets: Martin Heidegger's outlook of essence, liberty and tool, which reveals famous fashion design creation tools as well as individual creative work and its objects. Axis of the reseach – to disclose and to recognize the tool of creation. Inspiration is expressed intuetively wthin the work of creation - sketches of military equipment, aircraft black box – allowed to create original tools of creation – the siluette of a black box and recognition of a colour black as 'the absence of light'. Furthermore, with reference to the theory, it is aimed to reveal that a tool can form result desginer's creative hand, therefore making it identifiable. In addition, a critical approach was revealed by the historical study of recognizability of the fashion design's creative tool, covering the whole epoch (from the 20th century 2nd-5th decade, to the 21st century 1st decade and up until today). It was concluded that anything can be a creative tool. The creative, practical and theoretical findings are combined and revealed in the women's clothing collection Black Box Label.

This investigatative paper reveals the research steps of Rytis Beiga Costume design master's degree programme. The research is developed by three aspcets: Martin Heidegger's outlook of essence, liberty and tool, which reveals famous fashion design creation tools as well as individual creative work and its objects. Axis of the reseach – to disclose and to recognize the tool of creation. Inspiration is expressed intuetively wthin the work of creation - sketches of military equipment, aircraft black box – allowed to create original tools of creation – the siluette of a black box and recognition of a colour black as 'the absence of light'. Furthermore, with reference to the theory, it is aimed to reveal that a tool can form result desginer's creative hand, therefore making it identifiable. In addition, a critical approach was revealed by the historical study of recognizability of the fashion design's creative tool, covering the whole epoch (from the 20th century 2nd-5th decade, to the 21st century 1st decade and up until today). It was concluded that anything can be a creative tool. The creative, practical and theoretical findings are combined and revealed in the women's clothing collection Black Box Label.

This investigatative paper reveals the research steps of Rytis Beiga Costume design master's degree programme. The research is developed by three aspcets: Martin Heidegger's outlook of essence, liberty and tool, which reveals famous fashion design creation tools as well as individual creative work and its objects. Axis of the reseach – to disclose and to recognize the tool of creation. Inspiration is expressed intuetively wthin the work of creation - sketches of military equipment, aircraft black box – allowed to create original tools of creation – the siluette of a black box and recognition of a colour black as 'the absence of light'. Furthermore, with reference to the theory, it is aimed to reveal that a tool can form result desginer's creative hand, therefore making it identifiable. In addition, a critical approach was revealed by the historical study of recognizability of the fashion design's creative tool, covering the whole epoch (from the 20th century 2nd-5th decade, to the 21st century 1st decade and up until today). It was concluded that anything can be a creative tool. The creative, practical and theoretical findings are combined and revealed in the women's clothing collection Black Box Label.