Suchergebnisse

Machine generated contents note: 1. Understanding Another Culture -- Understanding Others and Ourselves -- A Procedure from an Aesthetic Point of View -- "Found in Translation" -- 2. Foundations of Modern African Philosophy -- Ethnophilosophy and the "Negritude" Movement -- Critical, Scientific Philosophy -- Sage Philosophy -- 3. Liberation and Postcolonial African Philosophy -- African Humanism and Socialism -- Postcolonial African Thought -- The Question of "Race" -- 4. African Moral Philosophy I: Community and Justice -- Persons, Individualism, and Communalism -- Suffering and Injustice -- Poverty and Human Development -- 5. African Moral Philosophy II: Truth and Reconciliation -- Linking Communalism, Ubuntu, and Restorative Justice -- Understanding the Grammar of Justice after Apartheid -- "Not All Storytelling Heals": Criticisms of the TRC Process -- Justice and Political Transformation -- 6. Narrative in African Philosophy: Orality and Icons -- The Philosophical Significance of Oral Narratives -- Rational Dialogue, Democracy, and the Village Palaver -- Finding Pictures and Fictitious Narratives "Surprising" -- Iconic Forms and the Aesthetic Consciousness Revisited -- 7. Some Concluding Remarks.

In May 1849 Wagner fled Dresden after the failure of the uprising of which he was a leader. His last creative work in Dresden was prose sketches for an opera Jesus of Nazareth, the result of his study of the Graeco-Roman world and the New Testament together with some knowledge of biblical criticism. Although he portrays Jesus as a social revolutionary in that he attacks the Pharisees, oppression and injustice, he is by no means a political messiah; indeed Wagner emphases his sacrificial death which results in the giving of the Holy Spirit. Key theological themes of the work which I explore include Jesus' messiahship, law and freedom, and the significance of his death.