Suchergebnisse

Dominant accounts of subcultural analysis have tended to read early British New Left writing on youth as a combination of high culturalist and neo-Marxist approaches. This article reassesses this position by showing the variety of methods and forms of analysis adopted by New Left writers in the 1950s, including autobiographical, ethnographic, sociological, cultural and fictional. In particular, it compares the writing on youth by Richard Hoggart, Stuart Hall and Colin MacInnes. It argues that their representations of youth were intricately bound up with general anxieties and concerns in 1950s culture, which created an ambiguous and dual interpretation of youth in ideological terms. It goes on to suggest that the way in which the subcultural subject was represented in textual and methodological terms affected the way in which it was interpreted ideologically. It also suggests that the traces of this representation are embedded in the way that youth is interpreted today.

"This collection explores the representation, articulation and construction of youth subcultures in a range of texts and contexts. It brings together scholars working in literary studies, screen studies, sociology and cultural studies whose research interests lie in the aesthetics and cultural politics of youth. It contributes to, and extends, contemporary theoretical perspectives around youth and youth cultures. Contributors examine a range of topics, including 'bad girl' fiction of the 1950s, novels by subcultural writers such as Colin MacInnes, Alex Wheatle and Courttia Newland, as well as screen representations of Mods, the 1990s Rave culture, heavy metal, and the Manchester scene. Others explore interventions into subcultural theory with respect to metal, subcultural locations, abjection, graffiti cultures, and the potential of subcultures to resist dominant power frameworks in both historical and contemporary contexts"--Publisher's description