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"Theodor Adorno is a widely-studied figure, but most often with regard to his work on cultural theory, philosophy and aesthetics. The Sociology of Theodor Adorno provides the first thorough English-language account of Adorno's sociological thinking. Matthias Benzer reads Adorno's sociology through six major themes: the problem of conceptualising capitalist society; empirical research; theoretical analysis; social critique; the sociological text; and the question of the non-social. Benzer explains the methodological and theoretical ideas informing Adorno's reflections on sociology and illustrates Adorno's approach to examining social life, including astrology, sexual taboos and racial prejudice. Benzer clarifies Adorno's sociology in relation to his work in other disciplines and the inspiration his sociology took from social thinkers such as Marx, Weber, Durkheim, Kracauer and Benjamin. The book raises critical questions about the viability of Adorno's sociological mode of procedure and its potential contributions and challenges to current debates in social science"--

Theodor Adorno is a widely-studied figure, but most often with regard to his work on cultural theory, philosophy and aesthetics. The Sociology of Theodor Adorno provides the first thorough English-language account of Adorno's sociological thinking. Matthias Benzer reads Adorno's sociology through six major themes: the problem of conceptualising capitalist society; empirical research; theoretical analysis; social critique; the sociological text; and the question of the non-social. Benzer explains the methodological and theoretical ideas informing Adorno's reflections on sociology and illustrates Adorno's approach to examining social life, including astrology, sexual taboos and racial prejudice. Benzer clarifies Adorno's sociology in relation to his work in other disciplines and the inspiration his sociology took from social thinkers such as Marx, Weber, Durkheim, Kracauer and Benjamin. The book raises critical questions about the viability of Adorno's sociological mode of procedure and its potential contributions and challenges to current debates in social science

This article presents a sociological inquiry into the politics of the UK National Institute for Health and Care Excellence's (NICE) approach to health technology appraisals. It is based on analyses of documents published by NICE and of a 2005–2008 interdisciplinary debate about the ethics of its activities. Simultaneously, the article brings further perspectives to this debate by clarifying that NICE, through the comparisons central to its approach, arranges a competition in producing health between different treatments applied to their respective particular patient groups. In fostering competition for differentiation, NICE's approach resembles objectives for shaping social relationships often attributed to neoliberal politics. Yet closer scrutiny reveals that NICE's creation of positions for, and relations between, patients is simultaneously more problematic. A comparison between NICE's work and long-standing sociological conceptions of the social relationship offers insight into the quality of the social relations NICE's approach supports in more general terms.

The article examines the sociological dimension of Adorno's analyses of Beckett's dramatic work. It unearths intersections between Adorno's literary-critical writings on Beckett, on the one hand, and his sociological investigations of contemporary social life and methodological writings on nineteenth- and twentieth-century social science, on the other. The article demonstrates how Adorno's sociological and methodological thought informed his reading of Beckett and how his engagement with Beckett helped him deepen his critical inquiries into capitalist society. Adorno deciphers Beckett's dramas as expressions of a damaged individual existence and as articulations of underlying social conditions: their functional exchange context, the mechanism of social reproduction, reification, and estrangement. These diagnoses of injured individual and social life draw attention to Beckett's problematization of death. Adorno's comments on death in Beckett elucidate an important connection between the emancipatory dimensions of his Beckett interpretation and his sociology.