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The political and social renascence that took place in the latter part of the 19th century made possible the revival of economic, cultural, and artistic activities. This became particularly evident in the building activity spreading, as in the rest of Europe of that period, in the wake of the then fashionable neo-styles that made a somewhat belated appearance at Vis. A Neo-Gothic building, designed to house the premises of the Hrvatski Dom, was built in the central part of the water-front (luka) et the very beginning of the current century, while a Neo-Renaissance dwelling-house was erected for the Tramontana family in 1911. The local school, designed by the native architect Marinković, was built in the Neo-Classicist style in 1910. The building housing the Army Club premises (Dom JNA) and the new fishmarket were also erected in the Neo-Classicist style. Some Neo-Classicist tombs may be seen on the cemetery where the Neo-Renaissance Dojmi Chapel stands out among other monuments. A Neo-Renaissance dwelling-house, belonging to the Mardešić Gariboldi family, was built at Komiža in in the early part of the current century, while the construction of a building in the Secessionist style (The Hum Café) followed shortly. The trend prevailing at the end of the 19th and at the beginning of the 20th centuries is evident also in a series of simple, modest houses designed in no definite style at all, but containing elements of various neo-styles or of the Viennese Secession in their facades. Gutters for carrying off rain water, usually sunk in decorative roof cornices supported by consoles; rows of tall windows with simply dressed stone frames that were molded in some cases; standard shop entrances in the ground floor; balconies with wrought-iron balustrades; basement windows protected with iron grating, etc., all these elements were commonplace during that period lasting through the thirties of the current century when the increasing use of concrete almost entirely repleced stone as building material, rendering the facade construction an utterly simple affair. Among the movables dating from the above mentioned period, the Neo-Gothic furniture of the pharmacy (Narodna Apoteka) at Komiža, and the home furniture owned by the Lučić-Roki family at Vis (designed by Dragutin Inkiostri Medenjak, painter and decorator, 1866-1942) are worth mentioning. So are several pieces of furniture, etc., dating from the late 19th and early 20th centuries scattered in various houses on the island. Two painters native from Komiža, Vinko Foretić and Miho Marinković, contributed to the development of the modern art in Croatia during the early part of the current century. While the former returned to his native island after years of youthful wanderings, dedicating his ability to landscape painting and portraying of life and people of Komiža, the latter ended his days as a university professor (member of the Faculty of Architecture) in Belgrade. Boasting marvellous scenery and views of the sea, picturesque water-front and interesting fishermen popular even abroad, Komiža has attracted a number of artists for a long period now. One of them was Đuro Tiljak who came to live on the island time and again where he painted considerable number of his canvases. A memorial collection of his works, comprising all his creations involving the island, was opened at Komiža in 1967. The Island of Vis, having played a most important part in the People's Revolution, has a special niche in its history. Owing to its geographical position, lying far from the mainland in the open sea, the island, turned into a wartime garrison by the People's Liberation Army as soon as Italy surrendered to the Allies in 1943, became an impregnable fortress in the Adriatic, successfully resisting the attacks of German forces in the area. That is why a number of localities and structures on the island, reminding us of those eventful years, are significant not only for the history of Dalmatia but of the whole of Yugoslavia. The glorious days of the recent past are re-awakened by memorial tablets or slogans found on old stone-built houses in the island villages and hamlets; by graves of fallen partisans scattered in a number of grave-yards and on the former aerodrome – once a lonely window flung open to the outer world and now a peaceful green vineyard; and also by miscellaneous articles or documents surviving in the silanders' homes. Numerous traces of red – or blue – painted slogans still found on the walls of houses at Vis, Komiža, Podšpilje, Marinje Zemlje, Dračevo Polje, Podstražje, and other villages and hamlets on the island, bear eloquent testimony to the wartime events, particularly to the significant ones in 1944. The cave located to the nort-west of Borovik is no doubt the most important monument belonging to that period as it served as sheltered headquarters for the People's Liberation Army from where its Commander-in-Chief, Marshal Josip Broz Tito, controlled its activities in the field aiming at the liberation of the country. The cave has therefore been named Titova Špilja. Several memorial tablets have been erected in the post-war period, either to mark some historic spots or to honour the victims of the Fascist persecution, fallen partisans, etc., Among the memorial tablets set up at Komiža, the one on the Tower is in memory of the 1940 municipal election victory of the workpeople of Komiža when 18 councilmen were returned, who directed the municipal affairs under the leadership of the Communist Party of Croatia; others, set up on various houses at Vis, mark the one-time seats of the District Committee of the Communist Party of Croatia for the central Dalmatian archipelago, and of the Regional Committee of the People's Liberation Movement, etc. A memorial tablet, set up on the Kučić Family house at Komiža, reminds us of the decision made by the local Communist Party Committee in 1941 to start attacking the invader's forces, while the inscription on another tablet erected on the house owned by Luka Borčić (at Žena Glava), records the spot where – from January through October 1944 – the Dalmatian Regional Committee of the Communist Party of Croatia conducted the armed revolt of the people against the Fascist invader. Fallen partisans have been hounoured by memorial tablets set up at Vis, Komiža, Podstražje, Marinje Zemlje, Podšpilje, and on the Island of Biševo. Both native and British airmen, killed in action in the course of the struggle for liberation, have also been honoured, the native flyers at Velo Polje and the British at the Čunkovica crossroads. Monuments remind us of the executed hostages at Vis and Komiža in 1943 while a memorial tablet records the spot where Nikola Marinković – Top was killed. As a part of the celebration of the twentieth anniversary of the stay on the island (in 1944) of the members of the Central Committee of the Communist Party of Yugoslavia, of the headquarters of the People's Liberation Army, and of Marshal Tito himself, several buildings were dedicated in 1964 to the fighters killed in action and to the victims of Fascist cruelty. Among such buildings are the memorial school, designed by the Architect N. Šegvić, and the memorial premises for popular meetings, etc., designed by S. Planić. A memorial well built at Podšpilje bears the inscription of some verses by J. Franičević and of names of the fallen fighters. A large monolith erected at Vis marks the spot where the Commander-in-Chief of the armed forces of the People's Liberation Army, Marshal Josip Broz Tito, reviewed the First Dalmatian Brigade decorating it for bravery with the Order of People's Liberation. A sentence from his speech reading: »Tuđe nećemo – svoje ne damo« (We do not what is not ours but we will not surrender what is ours) has been cut in the monolith. A number of buildings at Vis bear inscriptions recording various wartime events, e. g. the stay there (in 1944) of the presidium of the Anti-Fascist Council of Yugoslavia, of the People's Committe, of the Vis Island District Committee, etc. Some buildings at Komiža are marked in a similar way, and we learn from the inscriptions which of the houses were occupied by the Military Command, Military Hospital, Refugee Collecting Station, etc. Memorial tablets have also been set up at Borovik Village, in order to mark the houses once occupied by the Centrl Comittee of the Communist Party of Yugoslavia, the 26th Division Headquarters, and the Soviet, British, and American military missions. The Dalmatian Regional Committee of the Communist Party of Croatia, the Agitprop, the Slobodna Dalmacija Editorial Office, etc., were housed at Žena Glava Village, while various aerodrome services etc. had their quarters at Marinje Zemlje. The headquarters of the 1st Dalmatian Brigade and 3rd Overseas Brigade were at Podselje. A number of miscellaneous movable articles connected with the People's War of Liberation have been preserved and are now on show at the Museum at Vis as also in some private homes. A significant architectural contribution has been recorded on the island in the field of building construction. The Yugoslav Army Club premises at Komiža and a number of handsome dwelling-houses (all designed by the Architect Vitić) and the large Wine Cellars (designed by the Architect Fabris) are particularly noteworthy.

Na temelju arhivskih izvora autorica je prema popisima predmeta u zadarskim kućama nastojala prikazati sredinu u kojoj su obitavali Zadrani u drugoj polovici 17. stoljeća. Ti popisi sastavljeni nakon smrti vlasnika iako tek djelomično sačuvani ukazuju na visoku kulturnu razinu stanovanja u tom gradu. ; Basandosi su fonti archivistiche l'autrice, secondo gli inventari dei beni delle case zaratine, ha curato la ricostruzione dell'ambiente di vita degli Zaratini nella seconda metà del XVII secolo. Questi inventari, compilati dopo il decesso dei proprietari, anche se conservatisi solo in parte, testimoniano l'alto livello della cultura abitativa in questa città. Sebbene Zara abbia subito nel corso dei secoli ripetute distruzioni, è tuttavia giunta fino a noi parte degli edifici e delle chiese con il rispettivo inventario. Gli oggetti d'uso quotidiano, invece, sono scomparsi da tempo, sia per la fragilità del materiale, che per le divisioni tra gli eredi e l'estinguersi di alcune famiglie. Solo la ricerca delle fonti archivistiche rivelerà la ricchezza delle residenze e dell'ambiente in cui vissero la nobiltà e la borghesia zaratine. I testamenti e anche gli inventari dei beni mobili dei proprietari deceduti, per il periodo dal 1645 al 1674, mostrano la cultura abitativa di questa città, le inclinazioni e le tradizioni dei proprietari. Gli inventari dei dipinti, degli arredi, dei rivestimenti murari, dei servizi da tavola in argento, maiolica e vetro, della biancheria da camera e da tavola, delle stoviglie da cucina e tutta una serie di oggetti d'uso rivelano le possibilità e il gusto degli Zaratini di quel tempo. Questi inventari hanno inoltre dimostrato che Zara possedeva la maggiore collezione privata di dipinti che finora si conosca in Dalmazia, una biblioteca privata, e una collezione di armi e insegne militari. Nonostante nessuno di questi oggetti sia giunto fino a noi, questi inventari con la ricchezza delle opere d'arte e la varietà degli oggetti rappresentano un valido contributo alla conoscenza del patrimonio culturale sulla costa croata del!' Adriatico.