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"In this paper the behaviour of credit default swaps (CDS) are analysed for a sample of firms and support found for the theoretical equivalence of CDS prices and credit spreads. When this is violated, the CDS price can be viewed as an upper bound on the price of credit risk, while the spread provides a lower bound. It is shown that the CDS market is the main forum for credit risk price discovery and that CDS prices are better integrated with firm-specific variables in the short run. Both markets equally reflect these factors in the long run, and this is primarily brought about by bond market adjustment"--Bank of England web site

Nuestra intención en este artículo es revisar un importante episodio de la historia cultural española: el concierto de Raimon –cantautor valenciano– en Madrid el 18 de mayo de 1968. Inserto en el fenómeno de la canción protesta en España, tomamos como base para el estudio la documentación archivística sobre censura discográfica y los testimonios sobre el concierto y la obra de Raimon. En última instancia, alcanzaremos la idea de una "recepción subjetiva del mensaje" por parte del público, llegando a la recreación y reconstrucción del mismo en función de una "identidad heterogénea", fundamentada en la oposición al régimen dictatorial, aunque diversa en sus manifestaciones y objetivos particulares. ; Our intention in this article is to reconsider an important episode in the Spanish cultural history: Raimon's –singer / songwriter from Valencia– concert in Madrid, May 18th, 1968. Inserted in the phenomenon of the protest song in Spain, we take as the basis for our study the archival documentation about discographic censorship and testimonies about Raimon's concert and work. At the end, we will reach the idea of a "subjective message reception" by the public, even recreating an rebuilding it in function of a "heterogeneous identity", founded on the opposition to the dictatorial regime, although diverse in its manifestations and particular objectives.

El presente artículo tiene como objetivo proponer un punto de partida para los estudios sobre censura disco-gráfica a través de la legislación relacionada con este fenómeno durante el régimen franquista, desatendida hasta el momento en relación con las investigaciones sobre censura editorial y periodística, con cuyos elementos principales se compara, dado que tiene algunos puntos en común pero de los que se diferencia en esencia, por el planteamiento y su evolución. ; The present article aims at proposing a starting point for studies about records censorship through legislation related with this phenomenon during Francoist regime, neglected until the moment compared with investigations about editorial or journalistic censorship, to confront both situations, similar in some points but different in essence, because of their approach and development.

Introduction to sap process orchestration -- Administration and development tools -- Configuring the system landscape directory -- Working with the enterprise services repository and registry -- Working with the integration directory -- Building an integration flow -- Administration and monitoring in AEX -- Migrating interfaces from SAP PI dual stack to SAP PO -- Introduction to SAP BPM and BPMN 2.0 -- Creating your first SAP business process management process -- Applying advanced SAP BPM concepts and extensions -- Combining SAP BPM and UI technologies -- SAP business rules management -- Implementing Java proxies -- Administration and monitoring message processing in SAP BPM -- Migrating ccbpm from SAP PI to SAP PO -- Other useful components -- SAP cloud platform integration for SAP process orchestration -- Landscape setup considerations