Spectatorship: Shifting Theories of Gender, Sexuality, and Media
Frontmatter -- Contents -- Acknowledgments -- Introduction. Gender, Sexuality, and Media: Audience and Spectatorship -- PART I Revisiting Film Subjects and the Pleasures of Cinema -- ONE Feminine Discourse in Blackmail -- TWO Venus in Furs: Masoch, Deleuze, and the Films of von Sternberg -- THREE "You Don't Know What It Is to Look White and Be Black": The Black Press Mediates Race in the Classic Hollywood Studio System, 1930–1940 -- Joe Dallesandro—A "Him" to the Gaze: Flesh, Heat, and Trash -- PART II Speaking Up and Sounding Out 75 -- FIVE Unheard Sexualities?: Queer Theory and the Soundtrack -- SIX The Articulation of Body and Space in Speak Body -- SEVEN "I Kinda Prefer to Be a Human Being": Roseanne Barr and Defining Working-Class Feminism and Authorship -- EIGHT Riot Grrrl: It's Not Just Music, It's Not Just Punk -- PART III Queering Media -- NINE Soap Slash: Gay Men Rewrite the World of Daytime Television Drama -- TEN From Excess to Access: Televising the Subculture -- ELEVEN Pronoun Trouble: The "Queerness" of Animation -- PART IV Containment and Its Critiques -- TWELVE Of Fleiss and Men: The Transgressions and Containment of a Hollywood Madam -- THIRTEEN Out on Stage: LGBT Politics of Entertainment Award Shows -- FOURTEEN Lesbian Cop, Queer Killer: Leveraging Black Queer Women's Sexuality on HBO's The Wire -- PART V Fandom and Transmedia -- FIFTEEN Resurrection of the Vampire and the Creation of Alternative Life: An Introduction to Dark Shadows Fan Culture -- SIXTEEN The Rumors Are True!: Gossip Girl and the Cooptation of the Cult Fan -- SEVENTEEN The Trouble with Transmediation: Fandom's Negotiation of Transmedia Storytelling Systems -- Contributors -- Index