Suchergebnisse

"When the Franklin Motor Expedition set out across the Canadian Prairies to gather First Nations artifacts, it was with the assumption that they were collecting mementos of dying cultures. As brutal assimilation policies threatened to decimate First Nations cultures across Canada, an extensive program of ethnographic salvage was in place. Despite having only three members, the expedition amassed hundreds of items, which now comprise the largest single collection of materials from Prairie First Nations held in a British museum. In the past two decades, the relationship between Canadian museums and First Nations has undergone a realignment of power and this shift is now beginning to transform curatorial practices at British museums. In this book, Alison K. Brown looks at the Franklin Motor Expedition from multiple perspectives, consulting descendants of the collectors and members of the affected First Nations and reviewing expedition images and the artifacts themselves. In doing so, she explores not only the intellectual and political contexts within which the collection was made but also the complex relationships between museums, anthropologists, and First Nations."--Publisher

"In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford's Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson's Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people--hundreds altogether--participated in special "handling sessions," in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum's institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage."--

"Recreating First Contact explores the proliferation of adventure travel that emerged during the early twentieth century plus the themes legitimized by their associations with popular views of anthropology. During that time, new transport and recording technologies--particularly airplanes, automobiles, and small portable, still and motion-picture cameras--were used by many expeditions to document the last untouched places of the globe and bring them home to eager audiences. These expeditions were frequently presented as first contact encounters, and they enchanted popular imagination. The various narratives in the articles, books, films, exhibitions, and lecture tours that the expeditions generated fed into pre-existing stereotypes about racial and technological difference, and helped to create them anew in popular culture. Through review of several expeditions and their popular wakes, these essays (foreword, introduction + 12 additional chapters, afterward) trace complex but obscured relationships between anthropology, adventure travel, and cinematic imagination that the 1920s and 1930s engendered and how their myths have endured. The book further explores the effects - both positive and negative - of such expeditions on the discipline of anthropology itself. In doing so, however, this volume examines these impacts from a variety of national perspectives, and thus through these different vantage points creates a more nuanced perspective on how expeditions were at once a global phenomenon but also culturally ordered"--