Suchergebnisse

Solo el distanciamiento crítico permitió a Godard valorar lo premonitorio potencial del cine, y al mismo tiempo, señalar la incapacidad para registrar la realidad que generó. El cineasta siempre ha creído que "el cine es profético, predice y anuncia cosas", y que esta condición corresponde a su esencia como un registro. Rancière en una lectura lúcida de la historia del cine dice que para Godard: "el cine se encarga de no filmar campos en su tiempo; genial para filmarlos antes de tiempo y culpables por no saber reconocerlos". Este artículo comienza con estas claras proposiciones políticas, además de proponer algunas variaciones. ; Abstract Only critical distancing let Godard value the premonitory potential of film, and at the same time, point out the incapacity to register the realness that it generated. The filmmaker has always believed that "film is prophetic, it predicts and announces things", and that this condition corresponds to its essence as a record. Rancière in a lucid reading of Film History says that for Godard: "film is responsible for not filming fields in their time; great for filming them before their time and guilty for not knowing how to recognize them". This article begins with these clear political propositions, as well as proposing some variations.

Examines the problem of selecting new marketing directors and the
high failure rate among new marketing personnel. Contends that the
failure of first‐time marketing directors is not automatic; identifies
the problems involved in hiring first‐time directors and offers specific
steps that a first‐time marketing director can take and that a firm can
support to increase the possibility of success for the new marketing
executive, as well as the firm′s overall marketing effort. Concludes
that first time marketing executives are not doomed to fail.

"We now live in a designed world and we need to develop a better understanding of how to discuss and critique its design components. The essays presented here - selected from the preeminent journal, Design Issues - are intended to enhance our collective understanding of the wide reach of design in the contemporary world. The book is structured to cover the life of a designed object or project from conception and fabrication to evaluation. The essays are divided into themed sections, with each section separately introduced and each concluded with further reading. The Designed World aims to break down the often rigid boundaries between history, theory and criticism. Despite the wide range of subjects discussed, the book highlights the commonalities across all aspects of design. The reader will be invaluable to students, scholars and practitioners across the field of design"--