This book includes eight chapters reflecting various approaches towards the theme of play for children with disabilities that characterised the work of the members of the COST Action TD1309 "LUDI-Play for Children with Disabilities". Alongside these multifaceted points of view, some theoretical aspects emerged as a common background: the ICF-CY theoretical perspective, the vision of "play for the sake of play" and play as a fundamental right.
La tesi riguarda lo studio del grado di autonomia degli enti sub-statali alla luce del principio di integrazione europea, nel contesto sia nazionale sia soprattutto comunitario. ; The thesis concerns the degree of autonomy of the local government levels in the light of European integration, in both the national and, above all, the European contexts.
During the end of the nineteenth century and the first decades of the twentieth, the city of Rio de Janeiro went through a series of socio-economic changes related to the process of the implementation of modernity and the consolidation of capitalism in Brazil. In this moment, local authorities, along with the elite of the country, created a modernization project whose goal was to eliminate the remaining aspects of the colonial period still present in the city, making it more similar to European capitals through urban reforms. These modifications expressed the desire for progress and civilization from the dominant Brazilian classes while also attempted to follow the example and the rhythm of social, cultural and economic development of Europe. In this context, the authorities from Rio de Janeiro imposed a transformation of habits and popular traditions with the purpose of ending the old customs from the colonial past and the elements of the popular culture that were considered primitive and barbaric. It was in this moment of great changes that Paulo Barreto wrote his work and created several characters. In his texts, he documented and pondered on the urbanization process and the transformations executed to the city of Rio de Janeiro, paying special attention to the alterations that this process caused to the population and its customs, interactions and sociability. Barreto's work reflects the impositions of a government concerned with the idea of civilizing the city and the life of its inhabitants in contrast with the reality of the daily life of that population. Through a close observation of the city in all its spheres and its quotidian life, he constructed relevant interpretations about the dynamics and the characteristics of modern life, as well as different representations of modernity. In this sense, this present research intends to analyse the representations of modernity constructed by Paulo Barreto throughout this work. ; Durant la fin du xixème siècle et les deux premières décennies du xxème la ville de Rio de Janeiro a vécu plusieurs transformations socio-économiques associées au processus d'implantation de la modernité et de consolidation du capitalisme au brésil. les autorités 'cariocas' ont créé un projet de modernisation qui visait, par des réformes urbaines, à mettre fin aux caractéristiques d'une ville coloniale en la rapprochant des grandes cités européennes. ces réformes signifiaient, pour l'élite brésilienne, un désir de progrès et de civilisation. en même temps, celles-ci correspondaient à une tentative du brésil de poursuivre les modèles et rythmes de développement des économies européennes ainsi que leurs développements culturels et sociaux. dans ce contexte les autorités ont imposé, aussi, une transformation des coutumes, habitudes et traditions de la population, toujours dans le but de faire disparaître les anciennes traditions coloniales et les éléments de la culture populaire considérés comme marques du primitivisme et de la barbarie. c'était à cette époque et dans ce contexte des intenses changements que Paulo Barreto a produit ses œuvres et a créé plusieurs personnages. dans ses œuvres il documentait et réfléchissait sur le développement de l'urbanisation et des changements de la ville en faisant attention aux transformations que ces processus provoquaient dans la population, ses coutumes, ses interactions et sa sociabilité. ses œuvres reflètent, donc, les impositions d'un gouvernement préoccupé à civiliser la ville et la vie des ses citoyens, contrastant avec la réalité du quotidien de la population. a partit d'une observation attentive de la ville de Rio de Janeiro dans toutes ses sphères diverses et dans toutes les situations possibles du quotidien de ses habitants, il a construit d´importantes interprétations sur la dynamique et les caractéristiques de la vie moderne, ainsi que les différentes représentations de la modernité. ; Durante o final do século XIX e as duas primeiras décadas do século XX, a cidade do Rio de Janeiro viveu uma série de transformações socioeconômicas associadas ao processo de implantação da modernidade e de consolidação do capitalismo no Brasil. Nesse momento, as autoridades cariocas, aliadas à elite do país, criaram um projeto de modernização que visava, através de reformas urbanas, acabar com as características coloniais da cidade aproximando-a das grandes capitais européias. Essas reformas expressavam o desejo de progresso e de civilização das classes dominantes brasileiras ao mesmo tempo em que correspondiam a uma tentativa do Brasil em seguir os modelos e os ritmos de desenvolvimento social, cultural e econômico dos países europeus. Nesse contexto, as autoridades cariocas impuseram também uma transformação nos costumes, nos hábitos e nas tradições da população com o objetivo de acabar com as antigas tradições coloniais e com os elementos da cultura popular considerados como marca do primitivismo e da barbárie. É nessa época e nesse contexto de intensas mudanças que Paulo Barreto escreveu suas obras e criou seus inúmeros personagens. Nos seus textos, ele documenta e faz uma reflexão sobre o processo de urbanização e as mudanças sofridas pela cidade do Rio de Janeiro, prestando atenção nas transformações que esse processo provocou na população, seus costumes, suas interações e sua sociabilidade. Sua obra reflete as imposições de um governo preocupado em civilizar a cidade e a vida de seus cidadãos em contraste com a realidade do cotidiano da população. A partir de uma observação atenta da cidade em todas suas esferas e todas as situações possíveis do cotidiano de seus habitantes, ele construiu importantes interpretações sobre a dinâmica e as características da vida moderna, assim que diferentes representações da modernidade. Deste modo, esse trabalho de pesquisa tem como objetivo determinar as representações da modernidade brasileira construídas por Paulo Barreto no conjunto da sua obra.
During the end of the nineteenth century and the first decades of the twentieth, the city of Rio de Janeiro went through a series of socio-economic changes related to the process of the implementation of modernity and the consolidation of capitalism in Brazil. In this moment, local authorities, along with the elite of the country, created a modernization project whose goal was to eliminate the remaining aspects of the colonial period still present in the city, making it more similar to European capitals through urban reforms. These modifications expressed the desire for progress and civilization from the dominant Brazilian classes while also attempted to follow the example and the rhythm of social, cultural and economic development of Europe. In this context, the authorities from Rio de Janeiro imposed a transformation of habits and popular traditions with the purpose of ending the old customs from the colonial past and the elements of the popular culture that were considered primitive and barbaric. It was in this moment of great changes that Paulo Barreto wrote his work and created several characters. In his texts, he documented and pondered on the urbanization process and the transformations executed to the city of Rio de Janeiro, paying special attention to the alterations that this process caused to the population and its customs, interactions and sociability. Barreto's work reflects the impositions of a government concerned with the idea of civilizing the city and the life of its inhabitants in contrast with the reality of the daily life of that population. Through a close observation of the city in all its spheres and its quotidian life, he constructed relevant interpretations about the dynamics and the characteristics of modern life, as well as different representations of modernity. In this sense, this present research intends to analyse the representations of modernity constructed by Paulo Barreto throughout this work. ; Durant la fin du xixème siècle et les deux premières décennies du xxème la ville de ...
Il 19 giugno 2003, alla presenza del Capo dello Stato, il Presidente del Senato della Repubblica Marcello Pera ha inaugurato la nuova sede della Biblioteca in piazza della Minerva. Dopo più di centotrenta anni, la Biblioteca lascia la sede di palazzo Madama e apre al pubblico: mantenendo la propria identità culturale, ma offrendo strutture e servizi nuovi, secondo un disegno funzionale che ha comportato - nel corso di alcuni anni - un complesso lavoro di riorganizzazione e innovazione. ; On 19th June 2003, the Library of the Senate of the Italian Republic has been inaugurated in its new building, in Piazza della Minerva. After one hundred and thirty years, the Library moved from palazzo Madama and opened to the public in order to offer new services and facilities, but preserving its cultural identity. Historically, the book acquisition has been strictly linked to the cultural interests of the Senators of the Italian Kingdom, who, in most cases, were intellectuals: Italian history, Law, Philosophy, Politics, Literature. After the coming of the Republic, the Library has emphasized the doubleness of its nature, parliamentary and historical-jurisprudential. Its unique patrimony (more than 600.000 volumes) and the opportunity to offer it to scholars and to whomever could be interested in, have determined the moving to the new building, firstly promoted by Giovanni Spadolini. The restoration of this building, extremely compelling on a structural level, has taken more than ten years; now the Library can offer a wide range of specialized facilities: information rooms, Social Science room, Italian History room, Law History room, newspaper and periodical room, the exposition of more than nine hundred journals and magazines, a conference room and even some contemporary art works. The Library has its own web site, rich in information and links to other specialized web sites, and one is working to realize a functional integration, already started, with the Library of the Camera dei Deputati.
