Suchergebnisse

The young people at the centre of Buffy the Vampire Slayer present themselves as an alternative family that contrasts with the programme's conventional families. This device helps to raise awareness about changing family structures in contemporary Western society, particularly with respect to the family's capacity to facilitate the development of young people. The series implies that the stability associated with the nuclear family is often illusory and/or achieved at the price of young people's freedom and agency. The alternative structure, by contrast, answers the call for the 'democratisation' of the family (Giddens, 1999) and is coded positively in spite of many weaknesses.

We present findings from a critical discourse analysis of commentary from World Wrestling Entertainment's pay-per-view Evolution, an all-female wrestling competition. Approximately 10 minutes of match commentary were analysed, attending to the discourses operating within the text; the subject positions offered by them; and the implications these may have for subjectivity, action, and practice. Two discourses are presented: female wrestlers as "real athletes in a real combat sport" and "female wrestlers as conventionally feminine." The operation of these discourses through the text was interpreted as offering opportunities for women wrestlers to construct identities as serious sportspeople while at the same time limiting those opportunities through the requirement that they also demonstrate heteronormative femininity. We discuss these findings within the framework of neoliberal feminism and a postfeminist sensibility. We conclude that, contrary to its superficially feminist agenda, Evolution offers a narrow and contradictory space for women to construct legitimate identities as professional wrestlers, where discursive positions may be simultaneously offered and undermined by commentators.