Suchergebnisse

While the chief aim of this thesis is to give thought to the musical developments of the Golden Age of Lutheran Church Music, the writer will attempt also to present an account of the general background which is furnished not only by the cultural and political, but also by the ecclesiastical conditions of this period and the periods which preceded it. This is being done not only because the author sees fit to accept the dictum set forth by Egon Friedell, but also because he is firmly convinced that developments within the Golden Age of Lutheran Church Music will then be better understood.