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Abstract
This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, "Postposttranssexual: Key Concepts for a Twenty-First-Century Transgender Studies," revolves around a particular keyword or concept. Some contributions focus on a concept central to transgender studies; others describe a term of art from another discipline or interdisciplinary area and show how it might relate to transgender studies. While far from providing a complete picture of the field, these keywords begin to elucidate a conceptual vocabulary for transgender studies. Some of the submissions offer a deep and resilient resistance to the entire project of mapping the field terminologically; some reveal yet-unrealized critical potentials for the field; some take existing terms from canonical thinkers and develop the significance for transgender studies; some offer overviews of well-known methodologies and demonstrate their applicability within transgender studies; some suggest how transgender issues play out in various fields; and some map the productive tensions between trans studies and other interdisciplines.

Currently, most explorations of homonormativity privilege political interpretations. In contrast, this essay brackets political analysis of homonormativity's effects in order to attend more closely to the affect that helps motivate homonormative choices. Though from an external, critical perspective, particular alliances with dominant power structures may often look like blatant and cynical attempts at self-advancement, there is abundant evidence that they are more often experienced as emotionally driven, personal choices that are different from political ones and superior to them as guides for intimate behavior. Attending to this dimension of homonormative experience not only shifts current queer conversations about norms but also extends the relevance of such conversations back into the past. Ann Bannon's midcentury lesbian paperback novels are rich sources of information about the socially produced emotional situations that helped push Cold War-era gay and lesbian people into alliances with heterosexist institutions and values such as marriage. In Bannon's novels, "gay marriage" appears as a kind of representational shorthand for a happy resolution to what I suspect was the common midcentury gay dilemma of how to be both erotically and emotionally deviant, and socially conventional. Bannon depicts that dilemma as a painful suspension between simultaneous disidentifications with heterosexuality and queer abrasiveness to dominant cultural norms. Thus exploring the fantasy of gay marriage in these pulp fictions not only sheds historical light on the affective dimensions of homonormativity but also raises theoretically significant questions about the definition and political ramifications of disidentification.

Frontmatter -- Contents -- Acknowledgments -- Introduction: The Search for Norma -- 1. ''Barbarians Are Not Nervous'' -- 2. The Marriage Crisis -- 3. Birds, Bees, and the Future of the Race: Making Whiteness Normal -- Epilogue: Regarding Racial/Erotic Politics -- Notes -- Bibliography -- Index

Abstract
"Sex Time Machine for Touching the Transcestors" documents three months of Julian B. Carter's Transgenderational Touch Project (2016–present). Carter is creating and documenting intimate contact across trans generations, mobilizing his social network to connect people old enough to be his parents with people young enough to be his children. He serves as a vector for transmitting the embodied knowledge of older generations into the lived experience of younger ones—and vice versa. The zine was originally written and illustrated as a gallery take-away for visitors to curator E. G. Crichton's exhibit Out/Look and the Birth of the Queer at the GLBT History Museum in San Francisco, which ran from September 2017 to January 2018.