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The Mitki and the Art of Postmodern Protest in Russia. By Alexandar Mihailovic. Madison: University of Wisconsin Press, 2018. xvii, 254 pp. Appendix. Notes. Bibliography. Chronology. Index. Illustrations. Photographs. $79.95, hard bound. - Cultural Forms of Protest in Russia. Ed. Birgit Beumers, Ale...
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 77, Heft 3, S. 752-759
ISSN: 2325-7784
Hip Hop at Europe's Edge: Music, Agency, and Social Change, edited by Milosz Miszczynski and Adriana Helbig
In: The soviet and post-soviet review, Band 45, Heft 2, S. 247-249
ISSN: 1876-3324
Toxic Voices: The Villain from Early Soviet Literature to Socialist Realism. By Eric Laursen. Studies in Russian Literature and Theory. Evanston: Northwestern University Press, 2013. xiv, 172pp. Notes. Bibliography. Index. $45.00, hard bound
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 73, Heft 3, S. 694-695
ISSN: 2325-7784
Deviant Women: Female Crime and Criminology in Revolutionary Russia, 1880–1930 by Sharon A. Kowalsky
In: Gender & history, Band 22, Heft 2, S. 497-498
ISSN: 1468-0424
Kirov and Death inThe Great Citizen: The Fatal Consequences of Linguistic Mediation
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 64, Heft 4, S. 799-822
ISSN: 2325-7784
A fictional account of the life and death of Sergei Kirov, Fridrikh Ermler's two-part filmThe Great Citizen(1937 and 1939) appears unusual due to its lack of action and its fetishization of the spoken word. As an instance of what Ermler called "conversational cinema," the film defines the outer limit of verbosity and immobility in socialist realist film. The movie's hero Shakhov mediates between Stalin and the Soviet masses; as a result, the conflict between Shakhov and the Trotskyist opposition represents a struggle between authentic and corrupt linguistic mediation in the film. By appropriating the myth of the Russian writer's martyrdom,The Great Citizendepicts Shakhov's demise, not merely as the result of a Trotskyist conspiracy, but more importantly as the necessary guarantor of the truth of Shakhov's words. Ermler's film reconfigures the writer's role in Russian society by inverting the hierarchy of the written and the spoken word, thus subjugating the myth of the martyred writer to the aesthetic and ideological goals of socialist realism.The Great Citizendemonstrates the importance of Kirov's martyrdom within Stalinist mythology and figures as a paradigmatic work of socialist realist film.
A Triptych from the Russian Theatre: An Artistic Biography of the Komissarzhevskys. By Victor Borovsky. Iowa City: University of Iowa Press, 2001. xxiv, 485 pp. Notes. Index. Plates. Photographs. $49.95, hard bound
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 61, Heft 2, S. 434-435
ISSN: 2325-7784
Putin, Putiniana and the Question of a Post-Soviet Cult of Personality
In: The Slavonic and East European review: SEER, Band 88, Heft 4, S. 681-707
ISSN: 2222-4327
Avoir 20 ans à Téhéran, Isabelle Eshragi (photographs), Azadeh Kian-Thiébaut, and Seyyed Ebrahim Nabavi (text), Paris: Editions Alternatives, 1999, ISBN 2862271942, 95 pp., illustrations
In: Iranian studies, Band 33, Heft 1-2, S. 215-217
ISSN: 1475-4819
Book Reviews
In: Canadian Slavonic papers: an interdisciplinary journal devoted to Central and Eastern Europe, Band 47, Heft 3-4, S. 423-484
ISSN: 2375-2475