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L'auteure étudie les mouvements d'argent qui concernent la musique traditionnelle dans la Croatie d'hier et d'aujourd'hui et qui est porteuse d'un capital économique, social ou symbolique. En examinant la période postsocialiste, elle attire l'attention sur le lien de plus en plus intime entre capital culturel et capital économique, et estime que l'étude classique de « la politique et de la poétique » devrait être complétée par une étude de « l'économie », cette dernière étant le troisième aspect essentiel de la culture musicale.

This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social and political realities. An important field connected to political relevance is heritage, either in connection with the UNESCO or with archives. Ontologies of indigenous groups and their relevance in knowledge production is discussed in ethnomusicology nowadays as well as the possibilities of decolonising the discipline. Two articles from ethno-choreology explore dance from the gender perspective and in the post-socialist political structures. Different approaches from applied ethnomusicology deal with social justice, participatory dialogical practice, and the socio-political relevance of performance. Forced migration is seen as comprehensive topic for future ethnomusicology. The contents of the book mirror influential discourses of ethnomusicology today that will definitely shape the future development of the discipline.