Suchergebnisse

Newspapers have long been enthralled by accounts of cute, cuddly, strange, dangerous and endangered beasts, and by extraordinary and sometimes apocryphal narratives of natural phenomena. This study explores the incidence of several such stories in the British press: from reports of the "ethnic" conflicts between different species of squirrel to the tragedy of Cecil the slaughtered Zimbabwean lion. It takes in, along the way, the celebrity of Knut the polar bear, the Tamworth Two and the Exmoor Emperor. It surveys the media representation of the natural landscape from the crocodile-infested reaches of the River Thames out as far as the bleak wastes of the former planet Pluto. In doing so, and in conversation with reporters and players in these tales, it investigates the political subtexts and social meanings of such stories, and seeks thereby to reveal the real value of such soft, sentimental and sometimes silly news

Doctor Who is one of television's most enduring and ubiquitously popular series. This study contends that the success of the show lies in its ability, over more than half a century, to develop its core concepts and perspectives: alienation, scientific rationalism and moral idealism. The most extraordinary aspect of this eccentric series rests in its capacity to regenerate its central character and, with him, the generic, dramatic and emotional parameters of the programme. Out of Time explores the ways in which the series' immortal alien addresses the nature of human mortality in his ambiguous relationships with time and death. It asks how the status of this protagonist – that lonely god, uncanny trickster, cyber-sceptic and techno-nerd – might call into question the beguiling fantasies of immortality, apotheosis and utopia which his nemeses tend to pursue. Finally, it investigates how this paragon of transgenerational television reflects the ways in which contemporary culture addresses the traumas of change, loss and death

Two years is a long time in the world of new media - a world of phubbing and selfies, of cyberbullying and neknomination, of bitcoins, Prism surveillance and Google Glass. Much has occurred since the first edition of this book: from the extraordinary social media responses to the deaths of Margaret Thatcher, Nelson Mandela and Peaches Geldof, to the Twitterstorms occasioned by allegations against a late peer of the realm, the rise of the UK Independence Party and the popularity of The Great British Bake Off. The Egyptian revolution has come undone, the Turkish government has banned YouTube, th

It is a view commonly acknowledged that the mass media have a crucial role to play in the development and maintenance of democracy. It is a matter of greater controversy as to whether the media's influence upon democracy is as constructive as it might be. This collection explores the various impacts upon democratic structures and processes of different media forms in different parts of the world. It examines the very different influences of the press in democratic Nigeria and post-Leveson B.

From the Arab Spring to British summer riots, from the War on Terror to The X Factor, from social networking sites to online electioneering, the significance of new media technologies seems clear. This study offers an analysis of the impact of such interactive media on contemporary politics and society

Front Cover; Preliminary Pages; Contents; Introduction: States of Transition; Part One: State of the Union; The Enlarged Audio-visual Europe: The Many Faces of Europeanization; Trends in Television Programming: Commercialization, Transnationalization, Convergence; Pluralist over Profitable: The Audio-visual Transformation Dilemma in Central and Eastern Europe; A New European Information Order; The European Union and the Press; An Elusive European Public Sphere: The Role of Shared Journalistic Cultures; Domesticating Europe: Communicative Spaces of the East of West.

Abstract
Ulysses is a novel of immense and endless structuration, but one that resists structure itself, which eschews the closure and determinism of stereotypically Utopian mythologization. Joyce's work acknowledges that we continue to cling to our Utopian dreams, despite all the material evidence. Yet Joyce advances a mode of Utopianism that, in recognizing the tensions inherent to its relationship with the real, not only self-consciously deconstructs but also therefore sustains itself. If the Utopian breaks down upon its contact with material history, then perhaps by inscribing—and, more importantly, integrating—its antithesis and its own absurdity within itself, it might achieve a balance and a self-awareness sufficient to sustain it beyond the moment of its conception, the revolutionary or revelatory moment, and to translate its abstraction into the very materiality that had originally threatened to extinguish it. Joyce reveals Utopian literature's potential for self-deconstruction while at the same time rehearsing the hypocrisy and tyranny of literalist political interpretations of that discourse. Ulysses explores this process at a literary-political level; but it is Finnegans Wake that, in its dissolution of the dictatorship of the aesthetic, enacts the innate failure of the project of perfectibility at the level of language itself.

Ulysses is a novel of immense and endless structuration, but one that resists structure itself, which eschews the closure and determinism of stereotypically Utopian mythologization. Joyce's work acknowledges that we continue to cling to our Utopian dreams, despite all the material evidence. Yet Joyce advances a mode of Utopianism that, in recognizing the tensions inherent to its relationship with the real, not only self-consciously deconstructs but also therefore sustains itself. If the Utopian breaks down upon its contact with material history, then perhaps by inscribing—and, more importantly, integrating—its antithesis and its own absurdity within itself, it might achieve a balance and a self-awareness sufficient to sustain it beyond the moment of its conception, the revolutionary or revelatory moment, and to translate its abstraction into the very materiality that had originally threatened to extinguish it. Joyce reveals Utopian literature's potential for self-deconstruction while at the same time rehearsing the hypocrisy and tyranny of literalist political interpretations of that discourse. Ulysses explores this process at a literary-political level; but it is Finnegans Wake that, in its dissolution of the dictatorship of the aesthetic, enacts the innate failure of the project of perfectibility at the level of language itself.

From the Arab Spring to British summer riots, from the War on Terror to The X Factor, from social networking sites to online electioneering, the influence of new media technologies is clear. This book analyses the impact of such interactive media on contemporary politics and society. It explores how new media technologies give their users a sense of empowerment, and questions whether these technologies really directly empower their users at all.

This article examines the case of Estonia as one of Europe's fastest growing informational economies, and asks whether its furious development of new media technologies, as industrial products, commercial resources and political instruments, has necessarily proven as beneficial to society at large as some domestic and international commentators have anticipated. After mapping Estonia's unique development in embracing new technologies since the mid-1990s, the article concludes with a study of Estonia's recent experiments in electronic voting: in 2007, Estonia was lauded as the first country in the world to afford voters at national parliamentary elections the opportunity to vote online from their homes. The article is based on a series of interviews conducted by the author with a number of prominent figures in Estonia's IT industry, private and voluntary sectors, government service and politics. It addresses issues arising out of academic literature relating to the ethical, social and political aspects of the proliferation of new media, within the context of related surveys and reports produced by governmental and transnational organisations.

This article examines the case of Estonia as one of Europe's fastest growing informational economies, and asks whether its furious development of new media technologies, as industrial products, commercial resources and political instruments, has necessarily proven as beneficial to society at large as some domestic and international commentators have anticipated. After mapping Estonia's unique development in embracing new technologies since the mid-1990s, the article concludes with a study of Estonia's recent experiments in electronic voting: in 2007, Estonia was lauded as the first country in the world to afford voters at national parliamentary elections the opportunity to vote online from their homes. The article is based on a series of interviews conducted by the author with a number of prominent figures in Estonia's IT industry, private and voluntary sectors, government service and politics. It addresses issues arising out of academic literature relating to the ethical, social and political aspects of the proliferation of new media, within the context of related surveys and reports produced by governmental and transnational organisations.

Media in the Enlarged Europe deals with the complexity and instability of the European Union and its relationship with the mass media, looking beyond national and cultural boundaries. This compilation also views the mass media not only in its more traditional senses, but looks at newer media technologies and their applications. The recurring theme that binds the diverse papers in this collection is the relationship between European media industries and their social, political, economic and legislative contexts. The first part of the collection offers a snapshot of media politics, policies, industries and cultures in the European Union as a whole; the second part presents comprehensive case studies of the history and current state of the mass media in specific European nations, making Media in the Enlarged Europe an essential resource for media academics and students.